Search Results

The Artist At Work (Sunset) 60" x 48" Spray paint on deep edge canvas The Artist At Work (Dusk) 60" x 48" Spray paint on deep edge canvas Read My Mind (Blonde) 30" x 24" Spray paint on deep edge canvas Read My Mind (Pink) 30" x 24" Spray paint on deep edge canvas Read My Mind (Blue) 30" x 24" Spray paint on deep edge canvas Read My Mind (Charcoal Glitter) 30" x 24" Spray paint on deep edge canvas Je$u$ ¢hri$t (Teal) 48" x 36" Spray paint on deep edge canvas Je$u$ ¢hri$t (Blue) 48" x 36" Spray paint on deep edge canvas Je$u$ ¢hri$t (Lilac) 48" x 36" Spray paint on deep edge canvas Art Therapy (Red) 40" x 30" Spray paint on deep edge canvas Art Therapy (Mint) 40" x 30" Spray paint on deep edge canvas Babies Day Out (Blue) 50cm x 50cm Spray paint on canvas Babies Day Out (Red) 50cm x 50cm Spray paint on canvas 12 Queen Square Brighton, UK +44(0)7540660353 info@richsimmonsart.com First Name Last Name Email Message Send Thanks for submitting!

RICH CREATE SCENE CASTLE FINE ART SHOWS STREET ART PUBLIC SPEAKING MEDIA BLOG YOUTUBE INSTAGRAM ART IS THE CURE NFT

VISIT ART IS THE CURE SITE BOOK AN ART IS THE CURE TALK My name is Rich and art is my cure. I launched Art Is The Cure in 2008 with a simPle idea, tO insPire Other PeOPle whO were struggling tO find creativity as a release." "I had always been creative growing up, so art was a natural release for me; I would draw or paint to turn away from negative releases through struggles I faced at home growing up. Realising that creative therapy was not widely spoken about, I made it my goal to raise awareness of it through inspiration. Over a decade later, Art Is The Cure has encouraged countless people to find their cure through art." — Rich Simmons, Founder Art Is The Cure wants to change the way people see art as a form of creative therapy and inspire people to turn to creativity instead of negative releases. Our mission is to introduce as many people as possible to the concept of art therapy and the transformative nature of using creativity as a vehicle for healing. By telling the stories of people who have used a version of art therapy in their life, we hope to inspire new people to see creativity in a new way and harness it for themselves. Through interviews, films, podcasts, workshops, school visits, fashion, street art, colouring books, events and more, we want to inspire hope, build a community and create a movement. We believe that everyone has the ability to be creative and everyone has a cure at their fingertips. Our goal is to inspire people to tap into that creativity and find the strength to harness their inner artist to overcome negative experiences in life. This platform will be used to inspire people, through inspirational stories, interviews and films to become part of this growing community. With your support, we can turn this community into a movement that inspires people all over the world. RICH CREATE SCENE CASTLE FINE ART SHOWS STREET ART PUBLIC SPEAKING MEDIA BLOG YOUTUBE INSTAGRAM ART IS THE CURE NFT

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. TOP VIDEOS PODCASTS BLOG VIDEOS CASTLE FINE ART BETWEEN THE CAPES HYDRO DIPPING MEETS POP ART CREATING A PAINTING WITH A NEW TECHNIQUE WAS DA VINCI THE INSPIRATION FOR BATMAN LEGO AND STORYTELLING PAINTING ANARCHY 🌷Ⓐ THE DEATH OF A PAINTING 💀🖼️ RIP BEHIND THE SCENES REORGANISING THE STUDIO THE ART OF WAR AND PEACE CREATING 3 BRAND NEW PAINTINGS CREATING A NEW PAINTING NEW YORK TIMES WONDER WOMAN EDITION CANVAS NEW BUTTERFLY PRINTS OPENING THE NEW PRINTS CREATESCENE STUDIO VLOG 3 DESIGNING MY DREAM STUDIO OFFICE CREATESCENE STUDIO VLOG 2 BUILDING A CUSTOM COFFEE TABLE CREATESCENE STUDIO VLOG 1 - MOVING IN STUDIO TOUR AND MOVING IN TO THE NEW SPACE HEADCRASH HOTEL INTERVIEW THE DEPARTMENT LONDON ARTIST GIVES LARGE ROGERS BUILDING A VIBRANT NEW FACE KNWA FOX NEWS BRIDGING THE GAP BETWEEN STREET ART AND NFTS NFT LONDON PANEL NFT CONVERSATION WITH THE OFFICE GROUP RICH SPEAKS WITH HAMISH JENKINSON, FOUNDER OF THE DEPARTMENT AGENCY ABOUT NFTS NFT SUCCESS STORY HARCO VISUALS THE MEANING BEHIND REFLECTIONS NFT RICH SPEAKS ABOUT THE NFT PROJECT THE STORY OF REFLECTIONS REFLECTIONS NFT ART IS THE CURE THE RICH SIMMONS STORY MADE IN LONDON A SHORT FILM CINCY NEWS TV NEWS INTERVIEW AMERICAN TV NEWS ARKANSAS MURAL, USA HI MY NAME IS RICH VIDEO FROM HI MY NAME IS MARK COLLAB HI MY NAME IS RICH VIDEO FROM HI MY NAME IS MARK COLLAB PODCASTS 해당 언어로 게시된 게시물이 없습니다. 게시물이 게시되면 여기에 표시됩니다. BLOG RICH CREATE SCENE CASTLE FINE ART SHOWS STREET ART PUBLIC SPEAKING MEDIA BLOG YOUTUBE INSTAGRAM ART IS THE CURE NFT

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world.

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. RICH CREATE SCENE CASTLE FINE ART SHOWS STREET ART PUBLIC SPEAKING MEDIA BLOG YOUTUBE INSTAGRAM ART IS THE CURE NFT

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. IMAGINARIUM-솔로 쇼 박스 갤러리-런던 2019 년 5 월 2 일 ~ 5 월 22 일 팝 아트, 초기 르네상스, 현대 패션 등을 아우르는 시각 문화의 교차점에 대한 그의 최신 탐험을 선보입니다. 박스 갤러리는 컨템포러리 어반 팝 아티스트 Rich Simmons와 함께 다가오는 개인전을 발표하게되어 기쁩니다. 런던에 본사를 둔 Rich Simmons는 런던, 뉴욕, LA, 탬파, 마이애미, 토론토 및 제네바에있는 세계에서 가장 유명한 갤러리 중 일부에서 전시 한 바 있으며 전 세계적으로 명성을 얻고 있습니다. 작년에 그의 작품 중 하나가 Christie 's에서 £ 52,000에 팔리는 것을 보았고, 더 최근에는 Arkansas의 Crystal Bridges Museum of American Art에서 그가 지금까지 완성한 가장 큰 벽화 인 Rich Simmon의 새로운 50 피트 벽화를 공개했습니다.

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. Skullerflies rePresent transitiOn. A metamOrPhOsis frOm negative tO POsitive, Pain tO freedOm. The best works of art stem from an emotional journey and explore the spectrum of emotions we all face but the artist's challenge is to capture this narrative in a piece that allows others to feel something when they see it. Pain, heartache, and negativity can be turned into positivity, beauty, and love but it is the ability to embrace both that is important. I want the Skullerflies to represent the importance of taking something painful and using that as fuel to create change and beauty in someone's life. To turn that energy into something positive and release it into the world through art, music, poetry or whatever someones creative release is and inspire others is my goal for the Skullerflies. It is an expression of freedom and release combined with the macabre to complete the balance that is needed in life. The Skullerflies are the Yin and the Yang, the dark and the light, the pain and the love together in one delicate, fleeting creature. SKULLERFLIES NFT MINT SKULLERFLIES OPENSEA

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. 자체 제목-솔로 쇼 소호 컨템포러리 아트-뉴욕 2017 년

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world.

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world.

INTRODUCTION PROLOGUE CHAPTER 1 CHAPTER 2 CHAPTER 3 CHAPTER 4 CHAPTER 5 CHAPTER 6 REVIEWS The Prism — Checkmate is the origin story of a new superhero set in London. A powerful synthetic drug known as Met-X has begun circulating across the city, causing temporary mutations in its users. Crime rates surge as those enhanced by the drug gain unpredictable abilities. Behind the operation stands a calculating criminal mastermind known only as The Grandmaster, who views society as a chessboard and people as pieces to be moved, sacrificed, or promoted in pursuit of long-term control. When a glowing, rainbow-hued meteorite crashes in the Mojave Desert, it is secured by the Creative Research and Development Laboratory Enterprise (CRADLE) before other global agencies can intervene. Transported to CRADLE’s headquarters on London’s Southbank, the meteorite displays unusual energetic properties unlike any known material. CRADLE’s director, Arthur Kinsey, assigns his most gifted scientist, Isaac Wells, to lead the investigation. Isaac, alongside biomedical engineer Clara Banks and engineering prodigy Kenzi Nakamura, discovers that the meteorite contains a reactive compound capable of interacting with human biology at a cellular level. Its energy signature resembles the active component of Met-X. It becomes clear that the drug destabilising London may have originated from fragments of this extraterrestrial material. When The Grandmaster learns that CRADLE possesses the meteorite, he orders an aggressive retrieval operation. CRADLE employees are kidnapped, and the Southbank facility is attacked by enhanced operatives fuelled by Met-X. Determined to rescue his colleagues, Isaac leads a counter-operation using experimental CRADLE technologies and prototype engineering systems. Though he succeeds in freeing hostages, he is gravely injured during the confrontation. Isaac is rushed back to CRADLE, where he flatlines. In desperation, Clara reveals she has secretly engineered a prismatic variant of Met-X derived from her research into the meteorite’s full energy spectrum. Unlike the unstable red version distributed by The Grandmaster, her version was designed to stabilise and harmonise the mutation process. With no time for approval or trials, she injects Isaac. He survives. Isaac awakens fundamentally changed. The prismatic compound grants him controlled, adaptive abilities tied to energy manipulation and enhanced perception. He becomes the first stable evolution of the meteorite’s power. Initially conflicted about using his abilities, Isaac realises The Grandmaster is preparing a final escalation: a plan to trigger a chain reaction beneath London using weaponised meteorite energy embedded within the Underground system. The resulting explosion would release mutagenic energy across the transport network, exposing thousands and permanently shifting the balance of power in the city. Refusing to allow further harm, Isaac adopts a new identity — The Prism — and, alongside Clara and Kenzi, who equip themselves with advanced CRADLE technology, launches a coordinated assault on The Grandmaster’s network. As the team draw out his enhanced operatives across the city, Isaac infiltrates the Grandmaster’s headquarters. In the climactic confrontation, Isaac uses his full spectrum abilities to prevent the Underground detonation and dismantle the energy core powering the operation. The Grandmaster’s empire collapses, and the immediate threat to London is neutralised. In the aftermath, Isaac accepts that his transformation cannot be undone. Rather than retreat from the consequences of Clara’s decision, he chooses to embrace his new role. As The Prism, he commits to protecting the city while continuing CRADLE’s research into the meteorite’s wider implications. Though The Grandmaster has fallen, Met-X has already altered the landscape. Enhanced individuals exist. The technology cannot be erased. The chess match may have ended, but a new evolutionary era has begun. Checkmate is the first instalment in a planned trilogy charting the rise of The Prism. The series follows Isaac Wells from prodigy scientist to the emergence of a new kind of hero, exploring the scientific, moral and societal consequences of engineered evolution. Subsequent novels, Spectrum and Zenith, expand the scope from a single city under threat to a world reshaped by the power first unleashed in London. Alongside the core trilogy, additional prequels and spin-off stories are planned to explore the origins of CRADLE and the wider emergence of enhanced individuals — forming an interconnected narrative universe known as the Prismverse. The odds of being hit by a meteorite are astronomically small, but that is where this story begins. As a teenager, I was on holiday in Tenerife. I sat out on the hotel balcony one warm August night, watching the Perseid meteor shower light up the night sky. I had never seen shooting stars so bright or abundant in my life and settled in for a night of stargazing. As I laid back on the white plastic lounge chair, craning my neck up to watch the show, I felt a sharp pain on my thigh. Looking around for an insect to blame for interrupting my tranquillity, I saw a small black rock on the terracotta tiled floor beside me. 'That wasn't there a minute ago, was it?' I asked myself. Picking it up, I noticed it looked charred, like a miniature lump of coal that had fallen from a barbecue. I got up, looking for a plant pot or something that would explain the pea-sized black rock in my palm. Nothing matched it. That's when the brightest shooting star of the night streaked across the sky, disappearing beyond the horizon. It couldn't be, could it? Shooting stars are anything from fragments of asteroids to particles the size of a grain of sand, burning up as they pass through our atmosphere and tonight, there were hundreds of these celestial visitors passing right above me. Without another explanation for the pain radiating through my thigh, I sat back down and squeezed my fist around the small rock and watched its friends fall to the earth. Almost half a lifetime later, on Christmas Day, I get a phone call from my Dad. "Your Grandad has had a stroke." I spent the day alone in my art studio, waiting for updates and trying to process the news. Finally, I got the call that night that he had passed. After refusing the paramedics offer of going to the hospital, he died in his own bed, stubborn and proud to the end. The next day, we drove to my Grandparents house in Whitstable, England, to help my Grandma and do the things I suppose you have to do when a family member passes. Grieve, support, tell stories, remember the good times. My Grandad was always a bit of a mystery to me. He was a heavily tattooed former Navy man, but I only really knew him as the man who would write poems and draw his grandkids bespoke, personalised birthday cards every year. We weren't a close family, seeing them only once, maybe twice a year, but when I did, I wanted to know about his tattoos, art, and poems. I wanted his stories. I didn't realise just how many stories he had until he was gone and we found a locked suitcase under his bed. Upon opening it, we discovered a treasure trove of beautifully handwritten notepads containing stories, poetry, lyrics, diaries and more. We knew he wrote birthday cards for us, but this was a surprise for all of us to find. Why was it hidden, locked away without telling anyone what he was creating? The only answer I can come up with is one that made me sadder than his actual passing. He was afraid to share them for fear of judgement or ridicule. His pride overshadowed the storyteller he kept locked inside, only allowing glimpses of his true self to emerge to make his grandkids smile once a year on their birthdays. I left the next day to travel home, determined to find a way to honour him and not let his legacy stay locked away in a suitcase. If he was too afraid to share his storytelling with the world, then maybe I could do it in his honour. I was already following in his footsteps in some capacity by embracing my artistic side and pursuing a career in that, so maybe I also could write like he did. Perhaps I had a storytelling gene in me too. Only one way to find out. Over the following weeks, I started putting ideas together on what kind of story I could tell. Ever since that summer holiday when I was hit by a shooting star, I had been fascinated by meteorites. It's the kind of thing Stan Lee would be proud of writing, and it seemed like the perfect theme to create a story around. By the time I went to my Grandads funeral, The Prism was already being created, and I was able to smile, knowing that his legacy would have a chance to live through me. To have the name Simmons printed on a book and released for people to read and enjoy will be as much for my Grandad as it is for me. The universe chose to touch me with that small black rock. Something astronomically rare sparked this idea, and my grandad gave me the fuel to help light the fire that grew to become The Prism. After a long, extraordinary, twisting road to get here, I am proud to say that I am now a storyteller like my Grandad. At the edge of California's Mojave Desert, the Ridgecrest Police Station was inundated with calls from panicked locals. For a small town at midnight, this raised concerns with the officers working the night shift. "Hey Chief, we had another call with the same description, a 'rainbow fireball' shooting across the sky. This can't be a coincidence…" By call seven, curiosity had overcome the officers and they stepped outside and looked up at the cloudless sky. To the south-east, much to the officer's amazement, was a faint streak of coloured smoke on the horizon heading straight into the desert. UFO sightings from drunk town members had always been a source of entertainment to local officers, but tonight was different. In the sky above them was proof and they needed to investigate. The officers drove east on the 178 for about fifteen minutes. The cold desert night was lit with a blanket of stars emanating from the Milky Way’s dusty spiral and the bright crescent moon in the distance. The only other source of light for miles around was the headlights from the officer's Ford Interceptor as it streaked through the night, following the direction of the smoke above, like an arrow into the desert. As they got closer to the source of the smoke, a faint glow came into focus. "What the hell is going on?" wondered the bemused officers as they cautiously approached through the desert's scrubland, now on foot, hands perched nervously on their sidearms. A deep crater had formed in the desert surface with debris scattered precariously around, the impact trail etched into the dry, rocky floor for several metres. Approaching the crater's edge, the officers peered in. Through the smoke, they spotted a small rock which stood out with a charred black crust. It was emitting a mysterious, enigmatic glow, with every colour in the spectrum radiating from it, drawing the officers towards it like moths to a flame. The unusual object, faintly dancing with colour through the settling dust, was sitting in the heart of the crater. The mysterious object glowed with an ever changing rainbow of colour. It was hypnotic and the officers took their hands off their firearms and lowered themselves down to get a closer look. As they got close enough to see through the haze, a dazzling light show was clearly radiating off the scorched meteorite. "What is it, Chief?" asked one of the officers. "Some kind of meteorite? I've never seen anything like this before…" The officers leaned in, close enough to feel the meteorite’s warmth on their skin and with eyes transfixed and jaws ajar, one reached out a hand to touch it. A sudden burst of energy emitted from the meteorite which sent the officers flying backwards, throwing them through the air to the crater’s edge ten feet away. The officers lay unconscious against the dirt as the blast of light began to settle and shrink, still radiating with a spectrum of moving colours that seemed to merge and dance like a liquid in the cool night air. The sound of a helicopter overhead broke the silence as the whirring blades rotated with a rhythmic hum as it got closer. "Down there, there's something… glowing. I can see headlights too, someone’s already down there." The pilot's words sent a surge of curiosity through Dr. Arthur Kinsey, sitting in the back in a smart tweed jacket and grasping a carbon fibre cane in his hands. The grey-haired man looked through the window to the same glowing impact site below and with a slight adjustment of his jacket and an excited squeeze of his cane, instructed the pilot in a soft English accent to put the helicopter down as close to the crater as possible. CRADLE emblazoned at the top, below which were their names Lawrie and Ryptik. The young scientists had been working Stateside on a collaborative project with NASA when Arthur visited. Hours earlier, Arthur had taken a tour of the facility with them as they briefed him on their project. Now they were on a helicopter assisting Arthur on a ‘top-secret’ mission. Looking out at the desert below, they both wondered what Arthur needed them for and how they were going to be able to help. "Ready chaps? When we land, follow my lead. Bring the digital scanning equipment to map the impact site and any other gadgets you boys have that could help us understand this situation better." As the helicopter touched down onto the desert floor and the rotors began to slow, the dust kicked up by their landing created a fog that billowed out and disappeared into the sparse, flat desert around them. Holding a silk handkerchief to his mouth, Arthur lowered himself down the steps of the helicopter and touched down with both feet and his cane on the dry, rocky ground. Looking back at the two younger scientists, Arthur pulled his handkerchief from his mouth. "Never go anywhere without one" he said with a subtle wink. Pulling it back across his mouth, Arthur walked forward through the settling dust towards the crater twenty feet in front of them. On the edge of the crater, Arthur put both hands on his cane for support. His eyes lit up at the scene before him. The meteorite was now clearly visible, still glimmering with a spectrum of colours. Arthur’s heart skipped a beat at the possibilities of what this strange object could be. His focus was only broken when he noticed the two unfortunate police officers lying unconscious on the floor with burn marks on their hands. A screen of pale blue light suddenly projected from a machine set up by the two younger scientists, digitally mapping and scanning the landing site. With the analysis completed in a matter of seconds, Arthur told Lawrie and Ryptik to check on the officers and to avoid touching the meteorite. Arthur pulled out his phone and flipped over the monogrammed case with CRADLE embossed into the black leather. It was now 1am in the cold desert morning and Arthur checked the time in London. Swiping back to his contact list, Arthur tried making a call. ‘Damn, no answer, he’s probably not even at the office yet’ he thought as he looked around at the emptiness of the moonlit Mojave. Trying a different approach, Arthur called CRADLE's London headquarters. "Yes, good morning, this is Director Kinsey. I need to speak to Isaac Wells immediately…" Isaac's eyes snapped open as his head bounced off the glass window of the London Underground Jubilee train. The loud screech from the metal rails as the train cornered a bend drowned out the dull noise of the carriages and caused Isaac to grimace. Blinking his eyes and acclimatising himself to his surroundings, Isaac looked at the swathe of commuters waiting on the platform that they were slowing down to stop at. 'London Bridge, two more stops', thought Isaac as he rubbed his forehead and watched the commuters get on the train. Looking down, Isaac watched the shuffling feet of passengers finding their seats as he pulled out his phone. Checking his messages, he saw a new email from Arthur, which he tapped on to open. 'Damn, no signal down here', he said to himself as he tried to download the file. Putting the phone back in his pocket, Isaac picked up a folded copy of the mornings Metro newspaper. Today's front page was once again linked to a spate of crime and strange phenomena happening in London. 'Menacing Met-X Mutants Make Mischief In Marylebone' read the headline. 'What a mouthful', he thought as he ripped out the article and folded it up, pocketing it to read back at CRADLE. 'Another article for the wall of weird', he thought as he looked around at the interior of the carriage. Graffiti tags were scrawled and scratched into the walls and windows, reflecting what was happening in London over recent years. The train screeched again as it rounded a corner towards Southwark, stopping and letting on a new group of travellers. Isaac pulled out his phone again to reread Arthurs text message. 'Get your team together. I've found something in the desert that you need to see to believe. Arthur.' Isaac must have read this message over and over a hundred times now. The new email coming through only added to his anxiety to discover what Arthur was talking about. As the train pulled into Waterloo Station, Isaac quickly got up and headed to the door. Zipping up his Parka coat, Isaac waited for the doors to open before slipping out ahead of the other morning commuters and quickly walked to the escalators to beat the crowd exiting the station. The cold skies over London were swirling with different shades of grey as Isaac zigzagged past people walking to work and headed towards Southbank. As Isaac walked past The Royal Festival Hall, he pulled out his phone to try and download Arthurs email. 'Why is the signal so bad around here' he thought as the file began to slowly download. Turning right onto Southbank, Isaac continued to look down, watching the percentage number of the download increase. 'Almost there', he said to himself as he watched the download bar hit 90%. Before Isaac had realised what happened, he was looking down at the concrete floor. An ache spread across his shoulder as he turned around to see the man who had knocked him down walk away. Dressed in a white suit white, the stranger stood out from the other people walking past. Turning his head to look back at Isaac, the stranger's pale features contrasted the dark eyes shot a piercing, emotionless look down at him before turning and walking away. As he disappeared into the distance, Isaac slowly turned back. Realising his phone had been knocked out of his hand, Isaac looked around on the floor for it. "Damn it!" he said out loud as he looked down to the concrete floor at the phones smashed screen. Broken glass distorted the glitching graphics as Isaac tapped it in vain. Picking up the phone and assessing the damage, Isaac stood up and slipped the broken phone into his jacket pocket. "Another thing for Kenzi to fix," he said to himself. Rubbing his shoulder, he saw someone on an electric scooter swerve around a group of people and head straight for him. Dodging out of the way, Isaac spun around and found himself leaning against a set of metal railings, looking into the colourful, street art adorned walls of the skatepark. Among the melange of colour, graffiti and concrete ramps, Isaac spotted a small wall painted red with a stencil of a single white chess pawn. 'I've seen this before somewhere else', he mused as he looked at the painting, trying to remember where he had seen this symbol and what it might mean. A few meters away, a couple of young tourists were taking photos of the graffiti, and Isaac overheard them mentioning the same piece that had caught his gaze. "If that's a new Banksy, I don't understand it," said one of them before taking a final photo and walking away. Isaac pushed himself off the railings and continued walking past the skatepark. Looking up, Isaac could see the CRADLE building towering over the surrounding area just beyond Waterloo Bridge. Isaac rolled his shoulder, feeling more frustrated from not opening Arthur's email than having a smashed phone. Passing under Waterloo Bridge, Isaac looked up at the tall building. Large triangular glass panels reflecting the monochromatic skies above lined the building's exterior, which Isaac called home as he headed towards the entrance. Underneath a large set of chunky white letters spelling out the CRADLE logo were the words Creative Research And Development Laboratory Enterprise, backlit with a soft blue light above the glass entrance. 'Time to get some answers', he thought to himself as he walked inside. Clara slammed a drawer in her desk closed as she heard a noise at her door. A tall shadowed figure stood behind the frosted glass doors, and with her heart beginning to race, she turned a key to lock the drawer. The door hissed open, and Clara let out a sigh of relief as she saw Isaac standing there with his hand on the digital fingerprint scanner. Slipping the key into her trouser pocket and closing her laptop screen, Clara stood up and walked towards Isaac. "You don't usually get here this early," she said as she saw her friend walk in. "Coffee?" She asked, seeing Isaac standing there, still in his long green Parka coat. "Arthur left me a message," he said. Clara picked up a mug and pressed a button on her espresso machine, which began to whir into life, filling the office with the smell of fresh coffee. "Let me guess, get the team together," she asked. "Yeh, pretty much. And caramel latte if you are making one, it's too early for some of us," said Isaac, rubbing his eyes. "He sent an email too, which I think has information for us to go over before he arrives later." Clara picked up another mug as she asked, "Can I seen it?" Isaac pulled out the smashed phone and showed Clara. "Another one? For someone who invents as many things as you do, you sure do break a lot of them. How about asking Kenzi to help you build a phone that you can't break." Isaac laughed as he took the coffee from Clara. "Have you seen Kenzi this morning? Is he in yet?" Asked Isaac. Clara held up the mug to her chin, smelling the fresh coffee. "You know most of us get here at nine every day, right?" She joked before taking a sip and feeling her heart rate calm down. Isaac had always been a calming presence in her life since their days together at university. Looking back at her desk, she hoped Isaac hadn't noticed anything. "I work better at night," said Isaac unapologetically, taking a sip of his sweet coffee. "But Arthur's message was too intriguing. I had to come in. Clearly, I'm not good at this time as things like this happen." Isaac looked down at his phone again as he put the broken device back in his pocket. "Last I heard, Kenzi was working on something in the engineering department, we don't fix phones in the Biochem labs," said Clara, teasing Isaac, who was closing his eyes as he breathed in the aroma of his coffee. "Let's head over there together, make sure you don't break anything else on the way," she said. Isaac smiled and headed back into the hallway. Looking back into her lab, Clara tucked her auburn hair behind her ear and, with a few taps on the digital keypad outside the door, locked her lab. As they walked towards the elevator to head down to the engineering department, Clara put one hand in her pocket and rolled the key between her fingers as she contemplated sharing her project with him. Looking up at her tall friend, she tried to imagine how he would react to her research. 'Not yet', she thought. Fire alarms blared across the engineering department as smoke filled the back of the hangar-like space. Clara and Isaac got out of the elevator to hear the commotion and quickly ran towards the large entrance to see engineers running around and clouds of fire extinguishers being used at the far end of the cavernous space. Kenzi spotted Clara and Isaac running through the large glass entrance with concerned looks on their faces. "Everything is fine, don't worry", shouted Kenzi, walking calmly towards his friends. Taking off his protective plastic hard hat and brushing his messy black hair out of his face, he made it to Isaac and Clara just as the alarms stopped ringing. "Little mishap testing the weapons system on a new prototype vehicle," he said as he bent down to tie one of the laces on his bright blue converse. The smoke began to clear at the far end of the double-height space, which stretched across two floors of the CRADLE building. Engineers began assessing the damage and checking on the other machines in the area. With the sirens now off, the usual sounds of mechanical whirring and beeping came back into focus. "A little early to blow up part of CRADLE, isn't it Kenzi?" joked Clara, relieved to see the situation under control. "A little early for Isaac to be here, you mean", quipped Kenzi, standing up and straightening his matching blue bow tie and smiling at Isaac. "Nothing a coffee and a fire alarm can't fix," said Isaac, lifting his mug up sarcastically and smiling back at Kenzi. "Besides, Arthur has found something in the Mojave and told me to get the team together before he arrives later." "Arthur is quite the tease," said Kenzi. "And that's all he said?" "Well, he sent me something to analyse, but this happened before I could download it." Isaac pulled out the smashed phone and handed it to Kenzi. "Another one?" Said Kenzi, turning the phone over in his hands and assessing the damage. "That's what I said too," said Clara, nudging Isaac and smiling. "Hai, yes, I can fix it," said Kenzi, speaking quickly and letting a bit of his native Japanese slip into the conversation as he often did. The trio headed over towards a set of stairs leading up to the department's mezzanine level, housing rows of smaller labs and offices. As Kenzi walked out in front, he was already getting to work on the broken phone, using a small tool he pulled from his pocket to release the damaged glass. "Damn, screens damaged inside too," he muttered to himself with his head down, walking and tinkering as he rounded the corner towards his private lab. As the trio entered, Kenzi walked to one of his long work tables and placed Isaac's glitching device down. While Kenzi got to work, Clara looked around at the myriad of gadgets, computer screens and walls of tools laid out meticulously. Isaac, on the other hand, was drawn to something on Kenzi's desk. Picking up a piece of material hooked up to a selection of wires, Isaac ran his fingers across the mesh of different substances sandwiched together. "Is it almost ready?" He asked Kenzi, tracing the wires back to a power unit with his fingertips. "Almost," said Kenzi, looking through a toolbox. Picking up a tiny screwdriver and pushing it into the device, the sim card popped out, and Kenzi placed the broken phone next to a pile of other broken gadgets and robotics that needed electronic surgery. Moving to another section of his lab, Kenzi pulled out a box and opened it up. Taking out the new phone, Kenzi installed the sim card and handed it over to Isaac. Stepping away from the cluster of wires and fabric, Isaac accepted the sleek device from Kenzi and began to inspect it. "Looks just like the other one," he said, feeling the matte black stainless steel casing engraved with the CRADLE logo and watching the glass front come to life and seeing his familiar home screen. "Looks can be deceiving," said Kenzi, who swiped the screen to show Isaac a new set of app icons that weren't on his old phone. "Please, open Arthur's email." Said Kenzi, gesturing to Isaac. "I will demonstrate a trick this new device can do." Isaac swiped into his emails and clicked the download button again. This time, the file downloaded instantly, and the trio saw several files pop up on the screen. "As I suspected," said Kenzi. "I gave Arthur the same device before he left for America. He is using the new technology I developed for it. Isaac, please select the first file." Tapping the icon on the screen, a holographic image began to hover above the phone, almost making Isaac drop the new device out of surprise. "Maybe put it down on the table for this part," said Clara, watching on intently as a projection of the Mojave landing site came to life before their eyes. Isaac put the phone down on Kenzi's desk as they all crowded around to study the detailed hologram. The small scrub brushes looked real enough to touch as they dotted around the digital sand surrounding the impact site in the middle of the projection. Using a hand gesture, Kenzi was able to zoom in on this part of the image and see the impact site more closely. On one side of the crater, two unconscious American police officers lay slumped on the ground. Zooming in further, they spotted what Arthur had been talking about. Isaac looked up at Clara and Kenzi, almost dropping his coffee as he stepped back. "What the hell is that?!” In the control room for reactor number four, Yuri's concerns were quickly turning into a nightmare. As the minute hand ticked over to 1:23am, alarms began to ring out across the facility as the horrified technicians realised their mistake. The routine safety test he was brought in to oversee had caused something to go drastically wrong, and, within seconds, the nuclear chain reaction began to escalate out of control. "Nyet, Nyet!" Shouted Yuri as he realised the magnitude of the situation. "Out, everybody out!" 'I need to warn Anya,' thought Yuri, desperately trying to dial through on the phone to his wife's department. The reactor's fuel rods blasted apart as the cooling system's water burst into steam. Without the heavy concrete and steel shells that Yuri was so adamant that these reactors should have, there was little defence from the ensuing explosion. The roof was blasted off as the explosion scattered contents of the reactor across the building. Radioactive shrapnel rained down, littering the surrounding area. As the fire raged out of control from what was left of the graphite core of reactor four, Yuri screamed out for Anya. As the other technicians ran for their lives, a cloud of radioactive iodine-131 from the two hundred tonnes of nuclear fuel housed spread through the power plant, giving the scientists and technicians lethal doses of radiation within minutes. Yuri, alone in the control room, was still desperately trying to connect to the rooms below in a desperate attempt to get hold of Anya. The phone rang and rang with no answer, and Yuri prayed that she had managed to escape already. Letting out a roar of frustration and fear as the phone lines cut out, Yuri realised he had to get out of the facility and pray Anya had done the same. As he began to run from the control room, a cloud of nuclear particles spread through the air from the enriched plutonium and uranium leaking out. As he ran, Yuri hoped he would find Anya safely free from the hell that now surrounded them. Below the control room that Yuri was fleeing, an unearthly radioactive ooze began to spread like lava. The molten fuel rods, concrete and metal had melted together in the inferno, which now raged through the cavernous reactor. Yuri escaped through the smoke and nuclear haze, making it to the facilities exit where some of the lucky engineers had already made it. "Ana!" He shouted desperately, looking for his beloved amongst the smouldering rubble. Other scientists were laid out on the floor coughing and spluttering as the air above them filled with radioactive smoke through the collapsed roof. Yuri looked desperately for Ana, praying she had made it out before him. With no sight of his beloved wife, Yuri felt a hand on his shoulders pulling him away. "Nyet! Anya! Nyet!" “…Father?" The hand on his shoulder felt heavier now, shaking and gripping. "Nyet… Nyet…" "…Father? It's just a dream…" Yuri rubbed his weary eyes, realising where he was. Feeling his daughters hand on his shoulder, he felt a sense of relief. "Chernobyl again?" asked Tatiana. "Da. Every time I lose her all over again, and it feels as real as the night it happened." Looking down through his blurry eyes at the device on his arm, Yuri felt his blood pumping through the modified dialysis machine. Sitting upright in his oxblood leather armchair, Yuri rolled his neck from side to side, feeling it click as his strength began to return to his body. "Father, there has been a sighting. Reports are coming in of a meteorite strike in America." Yuri looked over at the wall of monitors and tv screens filling an entire wall of his office. A number of the screens switched from security cameras to different television news reports, all showing a similar set of videos. Phone footage of a rainbow cloud streaking across the night sky above the Mojave desert had news reporters speculating what it could be. Yuri's eyes widened, watching the reporters talking over each other as the videos continued to play behind them in news studios worldwide. "I am leaving to investigate myself", said Tatiana. "The jet is being prepared. I leave within the hour. If it is what we hope, I will retrieve it for you." Looking up at his tall daughter standing beside him, Yuri saw Anya's beauty and determination etched on Tatiana's porcelain face. Yuri nodded as he turned back to the wall of screens. "Rook can handle things in my absence, and Bishop will stay by your side. We will find a cure for you," she said, looking down at the pipes hooked up to her father, pumping the crimson liquid into his arm. Yuri looked to his side, picking up a piece from the ornate chess set that was mid-game. Holding the white Queen in his hands, he rolled it between his fingers and studied the board. 'What move would The Grandmaster want me to make next?' He thought to himself. Kissing the crown on top of the piece, he moved it diagonally into a vacant square. Tatiana waited for Yuri to place the piece and sit back before kissing him gently on the forehead before turning and leaving the room. As she pulled open a large mahogany door, she saw the tall hooded figure of Bishop standing on the landing outside. Nodding at him to enter, Tatiana walked towards the stairs and left. Closing them behind him as he entered, the heavy wooden doors creaked shut. With an awkward, staggered gait, Bishop walked towards Yuri, who was now switching back and forth between channels on the different screens. Moving behind Yuri's chair, Bishop turned off the dialysis machine and, without saying a word, began to carefully remove the needles in Yuri's arms. "Have you seen this?" Asked Yuri, transfixed by the news and hopeful that it could be the missing piece he needs. Bishop nodded, breathing deeply through a mechanical apparatus that covered his lower jaw. "This could be what we need to complete the Grandmasters work," he said, looking up at Bishop, who towered over him in long robes. Touching the top of Bishop's namesake piece and spinning the ornately carved ivory on the board, Yuri turned his attention back to the news reports on the screens. "You know, in 1987, they kept the meteorite strike over Moscow hidden. Told the news it was a failed missile launch. Now everyone has a camera in their pocket." Yuri coughed, feeling the clean blood back in his body always made him feel groggy before his energy picked up again. Bishop turned and walked towards an art deco style bar set up in Yuri's large living quarters and prepared a drink for his mentor. "They brought my team the meteorite the next morning, glowing crimson red like flowing blood trapped within rock." Bishop handed Yuri a drink, who took a sip before continuing. "I kept my cancer hidden. They wouldn't have let me continue working at the facility if they had known. Malnourished from grieving Anya was the common theory I let them believe. I spent a year researching cures in secret, but nothing worked. I was scared of Tatiana becoming an orphan so young. Then a gift from the skies was brought in with a military escort. They wanted to militarise it somehow, extract its energy, make bombs. Fools." Yuri paused to finish his drink before handing the glass back to Bishop. "They would have never let me explore medicinal qualities on it. The true potential of it would have been lost on them or destroyed by lesser minds. I had to get Tatiana and the meteorite out so I could continue my work in private." Yuri paused for a moment, overcome with a sense of frustration as he recounted the story to Bishop. Balling his hand into a fist, he slammed it on the red leather armrest of the chair, causing the red liquid in the tanks to shake and glow red, illuminating the bookshelves behind him. "Clearly, I only prolonged my suffering." Standing up now, Yuri rolled his neck and shoulders, feeling the treatment begin to work and give him back his strength. Bishop picked up Yuri's walking stick, silently offering it to him, but Yuri refused, feeling strong enough to walk around without it. "The treatment gives me strength for a few days. Let me enjoy that before needing that stick and going through this whole ordeal again soon." Moving his attention from the news reports about the 'Mystery Mojave Meteorite' as reporters were dubbing it, Yuri stepped back and focussed on the other set of screens. Live camera feeds from different parts of his facility showed scientists and engineers working in different labs. Several camera angles seemed to be coming from high above London and moving across the city. Yuri watched them all, flicking his gaze between different feeds and absorbing the information. Walking back to the chess set beside his chair, Yuri picked up the white horse piece and turned to Bishop. "Any news from Knight?" He asked. Bishop nodded slowly before unfolding his arms and reaching out a hand towards Yuri. Placing three fingers to the side of Yuri's forehead, he began to communicate directly into his mentor's mind. "Knight has informed me that the drug is becoming weaker. Clients are growing restless. The mutations are wearing off quicker." Taking his hand off Yuri's head, his voice went silent, and he returned to folding his arms as he awaited a response. Putting a hand up to his head, Yuri closed his eyes and felt a dull pain from Bishop's telepathic message began to ease. "It's a good job that I've got used to you communicating this way," he said as he looked up at Bishop. Two faint dots of red flickered in Bishops eyes after using his ability to convey the message. Yuri paced, pondering the implications of a weakened Met-X drug and how he would communicate this to The Grandmaster. Looking again at the video footage of the rainbow cloud being portrayed on the various news channels, Yuri knew he had to find this new meteorite before it was too late. 'Hurry, Tatiana', he thought to himself, thinking of his daughter flying there to investigate. 'Return with a gift for The Grandmaster'. “The Prism is a must read for all lovers of sci fi, superheroes and a scintillating story. Rich encapsulates his love of the all these elements and brings a story of justice, love and truth out of the page and into your minds, with a sprinkling of out of this world magic intertwined in real life London to keep readers from teenage upwards riveted throughout, leaving them wanting more. Can't wait for the next installment!” GRACE VON SIN "Rich has a way of setting the scene so well that it makes you feel you're in the room with the characters. The story kept me intrigued from the beginning. Sci-fi has a new superhero, his name is Rich Simmons." MARK GRIEF "Simmons combines his deep knowledge for science with his creative genius to tell the origin story of the Prism – relatable, believable and inspiring for its readers. It would make a great graphic novel and I can't wait to see the story unfold." JESSIE COHEN "Reading, for many people like me with a learning disability can be a sort of taboo subject and purposely avoided. Being able to understand the language, feel the writers story and allow my imagination to paint the scene was always an impossible challenge until THE PRISM! This captivating and emotionally gripping sci-fi novel had me continuously hooked from the first page and I can't wait for more. Rich Simmons has skilfully mastered the art of breaking through my taboo fears and managed to make the enjoyment of reading accessible for the masses. He is the true hero of this story!" HEATHER DENTON “I like very much the visual component of The Prism, which I have always considered a fantastic wonder of nature. The connection between a meteorite found decades past with a shadowy drug in the present is a very interesting hook also. I am anxious to continue this series and discover where the plot leads next for our intrepid scientists. Now that I have read your story completely through, I can say it was a thoroughly enjoyable tale. The characters are well-developed with their own motivations and alliances, yet you still provide surprises at key points throughout to keep the reader engaged and wondering what might happen next. The pacing is good as well with the narrative gaining intensity and urgency at about mid-point and proceeding briskly. Within the structure of a mystery you have included elements of plausible science, science fiction, spy thrillers, and superhero genres. As I type this I have close at hand a very dear book from my childhood called "Tom Swift and His Tripihibian Atomicar" from 1962. This series provided hours of enjoyment for my generation, and you have captured much of the same experience for a modern audience.” ROCKY PARSONS Waiting in a dark alley behind an office block, Carnegie checked his phone every few seconds like a nervous, twitching metronome. Even with his hood up, his faded white hair brushed across his forehead as the wind picked up. Leaning his skinny body against a large recycling bin, he rechecked his phone. His hands were thin, pale and looked far too withered for a man his age as he swiped on his phone to check the screen in case Knight had replied. Only two months ago, he had been working in an office, had a partner to go home to and a child on the way. Carnegie looked across the alley to a broken mirror that leaned against a brick wall. Pushing his anxious, broken body off the skip, Carnegie shuffled his feet over to get a better look at himself. His once dark hair and olive skin were now a sickly pale grey. His once handsome face and sharp cheekbones now sagged with more cracks in his complexion than the broken mirror he was staring into. "Why did she have to die?" he said to himself under his breath. "Why couldn't I stop it. It should have been me. I will make this right, no matter how many attempts it takes." Carnegie opened his phone's gallery and looked at photos of his girlfriend, swiping to an image of an ultrasound from the last scan they had been to together. After swiping through several more shots, he stopped at a screenshot of a news article. 'Pregnant woman pinned under collapsed construction site tragically dies.' Carnegie stopped breathing for a moment, re-reading the headline over and over, remembering that fateful day. The smell of concrete and rubble filled his senses again, vividly remembering how he tried to pull off the twisted scaffold poles and rubble to get to his love. 'I wasn't strong enough,' he thought as he remembers the police pulling him away. 'I should have saved her.' Swiping away from that news article, he found himself looking at a photo of another news piece about Met-X. 'London's growing mutant problem fuelled by mystery drug' read the article. Before he could read further, Knight's voice made him spin around, almost dropping the phone from his boney hands. "Do you have it?" asked Carnegie, an urgency cracking his voice as he walked forwards. "If you didn't pay over the odds for this, I wouldn't keep fuelling your demise. There are others more deserving of this elixir than you," said Knight, a sense of bitterness etched in his words as he spoke through clenched teeth. The cracked mirror in the alley reflected two very different men from the first time they met just six weeks prior. Knight admired Carnegie at first. Well dressed, handsome, taller than Knight when he stood with a straight back and, despite the obvious sadness in his eyes, Knight felt the drug would be used to give help Carnegie achieve some kind of hidden ambition. With his back now hunched over and with a hood covering his withered pale face, Carnegie was looking up towards Knight, who looked down with a disappointed pity. Carnegie opened his wallet and pulled out a large wad of cash. Knight’s tattooed hand reached out and took the money, placing the briefcase on the floor before counting the dirty notes and slipping it inside his jacket pocket. Pulling out a packet of cigarettes, Knight took his time selecting one and placing it between his lips before carefully lighting it. Carnegie stood frozen, anxiously waiting as he watched Knight exhale smoke. Knight enjoyed this part of the transaction, taking his time to read his counterparts and toying with their emotions like a cat playing with a mouse before making the fatal blow. Knight picked up the briefcase and moved over to a stack of wooden pallets, where he unlocked the case and released the red glow. The graffiti on the alley’s concrete walls basked in an ominous crimson glow as Knight pulled out two full syringes before closing the metallic case. The red light now emanated from Knights hand as he looked down at Carnegie. "I have a feeling this might be the last time I see you," said Knight as he handed Carnegie the Met-X. "Double doses can't be sustained and you are clearly on a one-way path to your own destruction. Try not to take too many others out on your way." Knight pulled the briefcase from the pile of wooden pallets, took one last disdainful look at Carnegie and turned to walk away. As he put his hand up to take the cigarette from his lips, he shook his head as smoke exhaled from his mouth. “What a waste”, he thought as he threw the cigarette butt into a puddle and turned the corner. Pulling out his phone, Knight sent a text to a contact with just a red siren icon as the name. Swiping to share his current location, Knight added two eyes with the word 'now' before closing his phone and continuing on his way. Carnegie now stood alone in the alley, looking down at the two glowing syringes in his hand. As he looked up at the cracked mirror, he saw himself reflected back in multiple shards, and each one looked more desperate with every crack. The glow disappeared as he pocketed the syringes as he headed deeper into the alley to a door that was held ajar by a discarded brick. Turning a corner inside the building, Carnegie headed towards a staircase and began to climb. With every step, his heart began beat harder with the exertion and it felt heavier in his chest. As he continued to rise, he gripped the syringes in his hoody pocket tighter as his weakened body ascended floor by floor until reaching a fire escape at the top of the stairs. Walking out, Carnegie found himself on the roof . He walked to the edge, looking down from the seven-floor building at the streets below. The sound of traffic rumbled below as the grey skies broke to reveal slithers of pale blue with sharp rays of light. The cold grey rooftop was suddenly basked in sunlight as the swirling skies broke overhead and Carnegie felt a wave of warmth wash over his pale skin. Pulling out one of the syringes, the deep crimson glow from the alley now shone a brighter, vivid red in the light. Carnegie rolled his head back and closed his eyes to feel the warmth as he pulled up a sleeve. Putting the syringe to his mouth, he calmly bit the plastic lid from the end and spat it on the floor, revealing the sharp metallic tip. Squeezing his fist to find a vein, he pushed the needle into his arm and injected the Met-X. A familiar burning sensation washed over his body and made him drop to his knees, clenching both fists and trying to fight through the initial reaction. A blinding pain quickly emerged as he felt every muscle begin to tighten into a full-body cramp as the mutation took hold. Muscles cracked and stretched as they grew exponentially. He felt as if his entire skeleton was moving under the pressure of the growing muscles which now filled out his once baggy hoody, making him look more like a bodybuilder than a junkie. As he opened his eyes and pushed himself off the ground, the warmth he felt was no longer the sun which had moved behind a cloud, but the sweat dripping from his burning flesh as the expansion of his body had made his skin feel as if it would rip if he moved too fast. Carnegie felt his heart rate start to slow as the wave of pain began to subside, as he got used to the new body he found himself inhabiting. He felt strong. How he wished he had been the night of the tragic accident that took his partner. He slowly walked forwards, rolling his shoulders as he felt the large muscles settle into place and feel more natural. Standing on the edge of the rooftop, he looked down at the busy streets of London. As the drug continued to pulse through his veins, Carnegie twitched as he felt an unbearable urge to use his temporary abilities. He closed his eyes, hiding the flickering red that flashed through his irises beneath his eyelids as he remembered the first times he had taken the drug. Fits of rage had ruined the previous experiences as he battled with grief, taking his powers out on himself. Running into traffic, hoping to be hit and end his pain, had only resulted in cars bouncing off him and jumping off Tower Bridge into the Thames had no effect besides leaving him with wet, cold clothes after the drug had worn off hours later. As he stood here now, Carnegie calmed himself as he fought off the twitching fibres in his muscles. Screams from the street below filtered up to the roof. Carnegie’s eyes opened widely, looking desperately for the source. Obscured slightly from view, he began to make out scores of panicking people running away from something he couldn’t see. The sounds of distant sirens now became apparent, growing louder and louder. Gunshots now ripped through the air, causing more screams. Carnegie ran to the side of the building and jumped down, landing on a roof below. He continued to run, jumping onto a fire escape on the edge of the adjacent building and dropping down to the alley below, where he ran into the street in the opposite direction from the fleeing pedestrians. Carnegie quickly found himself at the centre of the commotion and discovered the pandemonium was coming from a bank. As he looked around for the police , he heard screams inside the building and further gunshots. A blue haze of flashing lights drew closer to the bank. Before they or anyone could stop him, Carnegie ran inside. Almost immediately he was met by a balaclava-wearing thug, who he quickly tackled against a wall, knocking him out instantly. The sound of bodies crashing into a wall drew the attention of the other men inside. Carnegie had to quickly push himself off the first man and dodge a sledgehammer that was now swinging towards him. As the head of the hammer crashed into the tiled floor, Carnegie pulled it from the masked assailant and hit him in the ribs, knocking him down. Gripping the sledgehammer tightly, Carnegie walked further into the bank where he saw several scared hostages cowering on the floor and several more balaclava-wearing individuals who turned their attention towards him. Behind the masked men stood two more individuals that instantly stood out. Unarmed and unmasked, the two men looked at Carnegie with flickering red eyes, almost amused at his audacity . One of them was younger, and despite his ghostly pale skin and short white spiked hair, Carnegie could tell he was Asian. Wearing a white jumpsuit with sleeves rolled up, Carnegie could see that his body was heavily tattooed with red ink designs as dragons swirled through skulls, clouds and water. The other man was significantly older, shorter, just as pale, but far more muscular with a white stubble beard and bald head. 'Met-X' thought Carnegie as all five of the remaining men locked eyes with him. "Let the hostages go", demanded Carnegie, his fingers twitching as he watched the men in front of him, waiting for someone to do something. The older man laughed and elbowed the younger man in the ribs as they watched Carnegie confront them. "Hey Guǐ, looks like we've got a hero, and judging by his eyes, a fellow user. Boys, show this traitor how we treat people who turn their back on The Grandmaster." As one of the masked men lifted a shotgun, Carnegie threw the sledgehammer forward and dived for cover behind a small marble partition. The sledgehammer knocked the gunman down, causing him to shoot into the ceiling as he fell back. Dust and debris fell from the ceiling as the other two henchmen lifted their weapons and began to fire into the marble wall. Dust fell from the ceiling as debris flew up as bullets crashed into the smokey grey patterns on the marble. The sound of sirens outside was now drowned out by gunfire and bullets breaking against the stone. Carnegie sprung from the other side of the small, damaged wall and dived forward to tackle the gunmen from the side, like a big cat attacking its prey. His new strength allowed him to jump high above them, dodging the trail of bullets, crashing into them from, sending them both into an unconscious heap on the ground. The two unmasked men stepped forward now, confronting Carnegie, who had recovered the sledgehammer from the ground and was getting back to his feet. With their focus now fully on him, Carnegie signalled to the handful of hostages to get out of the bank. "Go, now!" he shouted, pointing at the bank's entrance behind him. As the hostages got up and ran towards the door, the taller of the men began to lift his hands, twitching his fingers as pieces of the broken marble began to rise into the air around Carnegie. "Show him why you are a ghost, Guǐ," said the older man who took a step back. “Róngxìng. With Pleasure.” Guǐ’s tattooed arms shot forward, directing a barrage of levitating debris towards Carnegie. Carnegie swung his sledgehammer as fast as he could around him, beating away some of the larger chunks, but smaller, sharper pieces broke through and cracked into his body. Letting out a cry of anguish, Carnegie dropped the sledgehammer and fell to his knees. Blood began to flow from a slew of cuts that now decorated his body as he gasped for air. As Carnegie tried to catch his breath, he looked up to see the older man's arms begin to glow orange. Guǐ moved out the way and let the older man step forward as the orange colour began to pulse through his chest and hands like lava flowing beneath his skin. Carnegie began to feel the heat radiating from his body as the colours grew brighter and more intense. "Let me show you why they call me Pyroxene", he said as his whole body began to glow like an erupting volcano, burning all the hair off his skin and creating a toxic smell of burnt hair and sulphur in the bank. Guǐ stepped forward again after recovering his energy, but kept his distance from the heat of his older mentor. "Zhǔnbèi hǎo. Ready when you are", said Guǐ, looking over at Pyroxene, whose face looked to be in agony as the heat overwhelmed his body. Thrusting out his arms, the skin on Pyroxene’s body seemed to liquefy and become molten lava. Letting out a roar of pain, he clenched his fists tightly together and the lava surrounding his skin began to crystallise under pressure. As long shards of black crystal began to grow, Pyroxene opened his eyes, now glowing an intense red, as his body’s lava glow had now cooled leaving his skin black and charred. Moving his arms and throwing a fist forwards, the shiny black crystals began to break free from his arms and hurtle towards Carnegie. Diving backwards, Carnegie's beaten, bloodied body narrowly missed a large crystal that smashed into the remains of the marble wall behind him. Guǐ now used his abilities to lift one of the crystals and aim it towards Carnegie from above, who dodged out of the way again. The large crystal smashed into the tiled floor just inches from where he had landed as he continued to roll backwards. Getting back to his feet, Carnegie saw the two men in front of him team up to create one last black crystal, the size of a baseball bat that emerged from the hands of Pyroxene and thrust forwards with more force by Guǐ's telekinetic abilities. Before he could move out of the way, the large crystal hurtled directly towards Carnegie's chest, which he attempted to catch and stop the impact, but the force and weight of the projectile sent him crashing through the bank's windows to the street outside. A sea of blue flashing lights filled the street outside the bank as police cars blocked off the area. Laying in the street surrounded by broken glass, Carnegie began to stir from the force of the impact. His heart beat fast and hard, hurting the inside of his chest like a hammer blow with every pulse of meteorite infused blood that flowed through his body. The effects of the drug was now wearing off and he began to feel every cut and impact from the fight. People watched on from behind the barricade of fluorescent yellow police cars and officers, whose bright yellow jackets appeared green under the flashing blue lights atop their cars. As Carnegie lay there, one officer ran forward to check on him. Holding his chest tightly, Carnegie grimaced as he saw the officer kneel over him. Looking up at his name badge, Carnegie spoke to officer Blanc. "Are the hostages safe?" he asked. The officer looked down and said, "Yes, they're all safe." Smiling through the pain, Carnegie closed his eyes and said, "I saved them, now I get to see you again." As his arms slumped to his side, Carnegie's body was now back to its original size and the red light from his eyes faded to darkness. As the officer checked Carnegie for a pulse, he also checked his pockets, pulled out the remaining syringe of Met-X, and pocketed it. Looking over at the other officers, Blanc signalled them to swarm the bank. As armed officers ran past Blanc, he switched the frequency on his radio and made a call to someone. "Knight, I have one of your clients, the same drop off as last time.” CHARACTERS Isaac Wells CRADLE Clara Banks CRADLE Kenzi Nakamura CRADLE Dr Arthur Kinsey CRADLE Orson Lawrie CRADLE Dr Yuri Prislov GRANDMASTER Tatiana Prislov GRANDMASTER Knight GRANDMASTER Rook GRANDMASTER Bishop GRANDMASTER VISION BOARD

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. 런던 콜링-솔로 쇼 소호 컨템포러리 아트-뉴욕 2014 년 9 월 18 일 소호 현대 미술은 9 월 18 일 국제 미술계의 떠오르는 스타 인 리치 시몬스를 소개한다. 영국에서 세 번의 성공적인 개인전을 마친 Rich Simmons는 그의 최신 작품을 그의 첫 미국 쇼를 위해 Bowery에 가져 왔습니다. 작가는 슈퍼 히어로와 같은 대중 문화에서 눈에 띄는 이미지를 가져와이 친숙하고 잘 알려진 이미지에 자신의 의견과 유머 감각을 투영합니다. 그의 메시지는 모든 사람이 공감하고 자신을 사랑할 수있는 메시지입니다. 그의 작품을 자신의 조직인 Art Is The Cure에 연결하면서 그는 창의성이 긍정적이든 부정적이든 감정을 방출하는 방법이라는 인식을 높이고 자합니다. 그의 창의성, 그의 독특한 논평 및 그의 대의에 대한 열정으로 Rich Simmons는 대중이 그의 예술과 연결되고 그의 메시지에 동의하기 때문에 명성을 얻고 있습니다.

Rich Simmons는 전 세계에서 전시 한 현대 도시 팝 아티스트입니다. Simmons work는 팝 아트, 만화책, 르네상스, 현대 패션, 섹슈얼리티 등을 아우르는 시각 문화의 교차점을 탐구합니다. 런던에 본사를 둔 Rich Simmons는 런던, 뉴욕, LA, 탬파, 마이애미, 토론토 및 제네바에있는 세계에서 가장 유명한 갤러리 중 일부에서 전시 한 바 있으며 전 세계적으로 명성을 얻고 있습니다. Simmons의 작품은 현재 2019 년 Crystal Bridges Museum of American Art에서 데뷔 한 Men Of Steel, Women Of Wonder 전시회를 통해 박물관 컬렉션에 포함되었습니다. 작년에 그의 작품 중 하나가 Christie의 자선 경매에서 £ 52,000에 판매되는 것을 보았습니다. Simmons의 대담한 색상 사용, 복잡하게 세밀한 손으로 자른 스텐실, 유머 감각 및 생각을 자극하는 이야기는 Rich가 혁신가이자 수집 가능성이 높은 예술가임을 증명합니다. Simmons의 작품은 갤러리를 초월하며 그의 거리 예술 벽화는 Rogers Arkansas에서 완성되는 최신 3,400 평방 피트 벽화로 전 세계에서 볼 수 있습니다. Simmons는 또한 예술 치료를 홍보하는 Vinspired 수상 경력에 빛나는 조직인 Art Is The Cure의 창시자이자 창립자이며 전 세계에서 워크숍과 강연을 진행했습니다. From structured stencil workshops and spray-paint sessions for schools, to Art Is The Cure experiences centred on creative wellbeing and mindful making, each format is designed with intention. Some workshops focus on skill and technique; others explore expression, confidence and the therapeutic rhythm of colour and repetition. For those seeking something more immersive, private one-to-one studio tutorials offer direct insight into Simmons’ methods, mindset and creative decision-making. Whether delivered in classrooms, creative studios, community spaces or the artist’s own working environment, these workshops are built to demystify the process and empower participants to find their own visual voice — grounded in craft, experimentation and the belief that creativity is not reserved for the few, but available to anyone willing to pick up the tools. STENCIL WORKSHOP Hands-on sessions that demystify the craft at the heart of my work. In these workshops, participants learn core stencil techniques — from planning and layering to precision cutting and clean execution — using tools and processes drawn directly from my studio practice. Whether you’re a novice or an experienced maker, the focus is on skill development, creative confidence and producing pieces you’ll be proud to take home. ENQUIRE SCHOOL WORKSHOP Dynamic, age-appropriate creative experiences designed for classrooms, youth groups and community settings. These sessions blend practical art-making — including spray paint fundamentals and expressive mark-making — with creative thinking and visual storytelling. Structured to be engaging and inclusive, they encourage participants to explore personal expression within a supportive environment and walk away with a tangible result. ENQUIRE ART IS THE CURE Creative space as creative therapy. These sessions are less about technique and more about presence — using colouring, pattern, expressive mark-making and moderated creative prompts to invite relaxation, focus and reflection. Accompanied by an optional talk, these workshops are ideal for organisations seeking wellbeing-centred creative experiences for teams, communities or individuals. No pressure, all play — and a reminder that making is part of being. ENQUIRE PRIVATE TUTORIAL A bespoke, one-to-one immersion in studio practice. These tailored sessions take place in my working space and are designed for artists and creatives who want direct insight into my process, decision-making and workflow. You’ll get focused guidance on technique, composition, conceptual development — all framed around your own creative goals and questions. Think of it as mentorship, not lesson. ENQUIRE

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. 내부 외부-솔로 쇼 모던-런던 모방 2013 년 6 월 13 일 ~ 7 월 13 일 아티스트 Rich Simmons는 이번 여름“The Inner Outsider”라는 전시회에서 새로운 작품 컬렉션을 들고 Imitate Modern Gallery로 돌아옵니다. 새로운 작품은 시청자가 세상을 다르게보고 새로운 관점에서 볼 수 있도록 도전합니다. 단순히 명백한 것이 아닌 모든 것에서 아름다움을 관찰해야합니다. 전시의 제목은 형식적인 훈련없이 독학 예술가로서의 Rich 자신의 지위를 전달합니다. 자신은 모든 것 안에 존재하는 아름다움과 병치에 초점을 맞추고있는 The OUTSIDER입니다. 우리 주변에 숨어있는 아름다움을 조금 더 가까이 들여다 보면이 아름다움의 내부 의미도 볼 수 있습니다. Rich는 토론과 생각을 유도하기 위해 다양한 반응과 질문을 불러 일으키기를 원합니다. Rich 자신은 레트로 빈티지 스타일의 50 년대 이미지에서 영감을받은 거리와 팝 아트의 융합 인 새로운 장르의 예술을 개척 한 것을 자랑스럽게 생각합니다 . 풍선 껌 핑크, 스칼렛 레드, 청록색 및 인디고와 같은 그의 상징적 인 생생한 색상 을 커피와 블랙 카푸치노 색조의 동일한 이미지와 결합하여 독특한 시각적 결과를 만듭니다. 손으로 그린 스텐실과 손으로 자른 스텐실, 그림자 및 찢어진 광고판과 함께 Rich는 혁신가이자 수집 가능성이 높은 예술가 로서 자신을 증명하고 있습니다. 광고판 포스터를 찢어 내고 층을 떼어 내고 층에있는 아름다움을 보며 거리 예술 고고학의 한 형태를 만들고 다시는 빛을 보지 못하도록 운명 지어진 포스터를 새로운 삶의 임대로 제공합니다. Rich는 캔버스에 붙여넣고 독특한 질감과 결과를 제공하는 비주얼을위한 3D 스타일 배경과 배경을 만듭니다. 많은 이미지가 강렬한 개인적인 화음을냅니다. 아름답고 뒤틀린 것의 결혼은 Rich 자신의 우울증과 자폐증과의 싸움을 나타냅니다. 예술을 자신의 치료법으로 사용하여 Rich는 자신의 개인 악마를 캔버스에 가두 고 부정적인 감정을 활용하여 아름다운 것을 만들었습니다. 새로운 35 피스 컬렉션에는 다음이 포함됩니다 : Skulls in Butterflies – Rich의 생생한 꿈 중 하나에서 영감을 받아 나비 패티 네이션을 자세히 살펴보고 내부의 두개골을 확인하십시오. 아름다움을 상징 하는 나비 와 이환율과 죽음을 상징하는 두개골과 함께 아름다운 나비 환경에 의해 이환율이 긍정적으로 바뀝니다. Chanel Bottles and Skeleton Hands – 허영심과 지위 상징의 이상을 무덤으로 쫓는 아이디어를 묘사합니다. 당신은 허영심을 무덤으로 가져갈 수 없습니다 – 그것을 붙잡는 것은 결국 중요하지 않을 것입니다. 손의 작은 균열은 전시회를 진행하는 동안 Rich 자신의 부러진 손목을 나타냅니다. 비행기와 폭탄 – 전쟁의 과정을 통해 평화를 달성하려는 시도의 병치와 아이러니를 보여줍니다. 폭탄에 루이비통 로고, 달러 지폐, 평화 표지판 및 낙서 태그를 사용하는 것은 전쟁이 아닌 예술을 통해 평화를 창조한다는 정치적 메시지를 시사합니다. 컬렉션의 다른 이미지로는 "숨겨진 곤충으로 만든 해골"이 있습니다.이 모두는 아름다움과 뒤틀린 것의 병치를 나타냅니다. Rich는 다음과 같이 말합니다.“이 새로운 컬렉션은 지난 6 개월 동안 한 손으로 연중 무휴로 작업하면서 스튜디오에서 손목이 부러진 상태에서 밤낮으로 내게 오는 모든 아이디어를 캔버스에 내려 놓았습니다. 사람들이 세상을 다르게 볼 수 있도록 영감을주고 도전하는 것은 저에게 매우 중요합니다. 나는 그것이 나의 마지막 컬렉션에서 완전한 단계 이며 나의 성숙함 의 자연스러운 진화 라고 느낀다 . 전체적인 느낌은 더 어둡지 만 더 다채롭고 더 아름답지만 더 비틀어졌습니다.” Imitate Modern의 갤러리 디렉터 Fallon Khan; '우리는 완전히 새로운 작품으로 Rich를 갤러리로 다시 맞이하게되어 기쁩니다. 수집가와 언론은 전시회 공개를 간절히 기다리고 있습니다. 우리는 영국이 제공해야하는 가장 혁신적인 예술적 재능을 대표하는 것을 자랑스럽게 생각하며 Rich는이 범주에 속합니다.”

Rich Simmons는 전 세계에서 전시 한 현대 도시 팝 아티스트입니다. Simmons work는 팝 아트, 만화책, 르네상스, 현대 패션, 섹슈얼리티 등을 아우르는 시각 문화의 교차점을 탐구합니다. 런던에 본사를 둔 Rich Simmons는 런던, 뉴욕, LA, 탬파, 마이애미, 토론토 및 제네바에있는 세계에서 가장 유명한 갤러리 중 일부에서 전시 한 바 있으며 전 세계적으로 명성을 얻고 있습니다. Simmons의 작품은 현재 2019 년 Crystal Bridges Museum of American Art에서 데뷔 한 Men Of Steel, Women Of Wonder 전시회를 통해 박물관 컬렉션에 포함되었습니다. 작년에 그의 작품 중 하나가 Christie의 자선 경매에서 £ 52,000에 판매되는 것을 보았습니다. Simmons의 대담한 색상 사용, 복잡하게 세밀한 손으로 자른 스텐실, 유머 감각 및 생각을 자극하는 이야기는 Rich가 혁신가이자 수집 가능성이 높은 예술가임을 증명합니다. Simmons의 작품은 갤러리를 초월하며 그의 거리 예술 벽화는 Rogers Arkansas에서 완성되는 최신 3,400 평방 피트 벽화로 전 세계에서 볼 수 있습니다. Simmons는 또한 예술 치료를 홍보하는 Vinspired 수상 경력에 빛나는 조직인 Art Is The Cure의 창시자이자 창립자이며 전 세계에서 워크숍과 강연을 진행했습니다. From graphic identity and packaging design to interior interventions, clothing capsules, window displays and large-scale super graphics for hoardings or digital campaigns, each project begins with narrative. What does the brand stand for? What does it want to say — and how should it feel? Simmons translates that essence into a cohesive visual statement, ensuring the aesthetic impact serves a strategic purpose rather than decoration alone. Whether developing a limited-edition product run, reimagining a retail space or creating campaign visuals that command attention in physical and digital environments, the aim remains consistent: to build distinctive, culturally aware design that connects with audiences while maintaining clarity and commercial awareness. Bold where it needs to be. Refined where it matters. Always unmistakably authored. BRAND IDENTITY Crafting visual systems that feel intentional rather than manufactured. From logos and typographic language to brand assets that anchor wider campaigns, this work is about more than decoration — it’s about defining character and creating a coherent visual vocabulary. Each identity is conceived with strategic clarity and visual purpose, designed to stand out in a crowded cultural landscape while remaining authentically rooted in the brand’s story. ENQUIRE PRODUCT DESIGN High-impact design that meets the physical world. Whether for limited-run capsules, merchandise, retail products or bespoke packaging, these solutions balance bold visual presence with real-world function. Colour, form and graphic language are used deliberately to enhance shelf appeal, excite audiences and create that brief, magnetic pause when someone picks it up. ENQUIRE WINDOW DISPLAYS Temporary or permanent visual interventions designed to transform glass, frontage and retail environments into immersive brand statements. From full-window vinyl takeovers to layered graphic installations, each piece is conceived to stop passers-by mid-stride and convert curiosity into engagement. These designs balance bold visual presence with spatial awareness — working with light, scale and movement to ensure the display feels integrated rather than applied. The goal is simple: make the storefront part of the story. ENQUIRE SUPER GRAPHICS Large-format graphic installations created to command scale — across hoardings, development sites, interior walls or campaign backdrops. Super graphics are about dominance without chaos: confident typography, striking imagery and cohesive visual language executed with precision. Whether supporting a property launch, cultural activation or major brand campaign, these pieces are engineered to hold attention from distance while rewarding closer inspection. Built for impact. Designed with intent. ENQUIRE

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world.

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. 미스 핏-솔로 쇼 소호 컨템포러리 아트-뉴욕 2015 년 10 월 2 일 ~ 10 월 18 일 작년에 259 Bowery (휴스턴 모퉁이)에 위치한 Soho Contemporary Art에서 매우 성공적인 쇼를 마친 후 ownerRick Rounick은 수상 경력에 빛나는 아티스트 Rich Simmons를 "Misfits"라는 두 번째 쇼에 초대했습니다. 전시회는 2015 년 10 월 2 일부터 10 월 18 일까지 일반에게 공개됩니다. Simmons는 영국에서의 성공적인 개인전 이후 국제 예술계의 스타가되었습니다. 그의 작품은 윌리엄 왕자와 케이트 미들턴의 왕실 결혼식을 기념하는 그의 거리 예술 작품이 공개 된 지 몇 시간 만에 왕실 부부의 시드와 낸시를 묘사 한 "미래 *** 왕"이라는 제목의 거리 예술 작품으로 폭발했습니다. ! 소호 현대 미술에서의 그의 이전 쇼에는 잘 알려진 논쟁적인 배트맨과 슈퍼맨 키스의 초상화가 포함되었습니다. “Misfits”에서 Simmons는 상징적 인 슈퍼 히어로와 같은 대중 문화 이미지를 포함하는 그의 최신 작품을 The Bowery에 가져와이 친숙한 이미지에 자신의 의견과 유머 감각을 투영합니다. 작가는 쇼 제목 뒤에 자신의 생각을 표현했다.“이 쇼는 내 스타일과 테마가 혼합되어 있기 때문에 문신을 한 핀업 걸, 록 셔츠를 입은 DJ, 미국 국기와 함께 섹시하기 때문에 조금 더 예리하다. , 그리고 섹시한 배트 걸 – 여전히 스트리트 / 팝 / 현대 미술에 대한 나의 대안 / 외부 접근 방식이기는하지만,이 모든 것을 설명하는 완벽한 단어는 '부적합'이라고 생각했습니다.” Simmons는 The Bowery로 돌아 오는 것에 대해 열정적입니다.“뉴욕은 문화적으로 매우 흥미 진진한 도시입니다. 도시에서 시작된 많은 예술가와 예술 운동이 제가 좋아하는 예술과 저에게 영감을주는 스타일을 형성하는 데 큰 역할을했습니다. 스타일은 거리 예술, 그래피티, 팝 아트 및 만화책에서 정말 영감을 받았으며 뉴욕은 이러한 장르에서 가장 상징적 인 예술가들의 진원지였습니다.” 독학으로 배운이 예술가는 자신의 작품에서 두드러진 역할을하는 핀 업과 실버 시대의 만화책을 사용하여 복고풍 빈티지 스타일의 50 년대 이미지에서 영감을받은 완전히 새로운 장르의 거리 및 팝 아트를 개척했습니다. 빌보드 포스터를 찢고, 레이어를 적시고, 떼어 내고, 그 안에있는 아름다움을 보는 것은 거리 예술 고고학의 한 형태를 만들고, 다시는 빛을 보지 못하도록 운명 지어진 포스터, 새로운 삶의 임대를 제공합니다. Simmons는이를 캔버스에 붙여넣고 독특한 질감과 결과를 제공하는 비주얼을위한 도시의 부패 스타일 배경을 만듭니다. Bowery는 Keith Haring 및 Jean-Michel Basquiat와 같은 예술가가 거리의 집이라고 불렀기 때문에 거리 예술과 관련이 있습니다. "Rich Simmons의 예술은 숙련 된 수집가들이 떠오르는 스타의 그림에 투자 할 수있는 기회입니다."라고 Rounick은 자신있게 말합니다. Simmons 작품의 팬과 수집가는 왕족, 유명인 및 음악가를 포함합니다. 싱가포르, 바쿠, 파리, 두바이, 모나코, 런던, 마이애미까지.

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. 팝 도발 사-솔로 쇼 박스 갤러리-런던 2017 년 6 월 21 일 ~ 7 월 6 일

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. MEN OF STEEL, WOMEN OF WONDER-박물관 쇼 크리스탈 브리지 미국 미술관-ARKANSAS 2019 년 2 월 9 일 ~ 4 월 22 일 SAN ANTONIO MUSEUM OF ART-텍사스 2019 년 6 월 21 일 ~ 9 월 1 일 슈퍼맨과 원더 우먼은 미국 대중 문화에서 가장 사랑받는 아이콘 중 하나입니다. 경제적 역경과 세계 대전의시기에 탄생 한이 캐릭터는 미국의 도덕성과 평등의 등대로서 빠르게 등장하여 진리, 정의, 미국식의 이상을 대표합니다. Men of Steel, Women of Wonder의 아티스트는 슈퍼맨과 원더 우먼을 사용하여이 흥미롭고 생각을 자극하는 전시회에서 국가 정체성, 미국 가치, 사회 정치, 대표 및 인류 개념을 탐구합니다. Men of Steel, Women of Wonder는 Crystal Bridges 어시스턴트 큐레이터 Alejo Benedetti가 개발 한 새로운 전시회로, 우울증 시대의 기원부터 오늘날의 현대 예술가 해석에 이르기까지 수퍼맨과 원더 우먼에 대한 예술계의 반응을 조사합니다. 50 명 이상의 예술가가 70 개 이상의 그림, 사진, 설치, 비디오 등을 찾아보세요. 이러한 문화적 아이콘에 대한 신선한 시각을 제공하고 슈퍼 히어로에 대한 우리의 현재 국가적 사랑을 활용하는 Men of Steel, Women of Wonder의 아티스트는 Superman과 Wonder Woman을 사용하여 국가 정체성, 미국 가치, 사회 정치, 대표 및 인류 개념을 탐구합니다. 흥미 진진하고 생각을 자극하는 잊을 수없는 전시회에서 우리는 슈퍼맨과 원더 우먼이 친숙한 인물이며 젊은 청중에게 더 매력적일 수 있음을 알고 있습니다. 부모와 가족에게는 Men of Steel, Women of Wonder에서 아티스트가 이러한 캐릭터를 묘사하는 다양한 방법이 있음을 아는 것이 중요합니다. 일부는 친숙하고 영웅적인 방식으로 표현되고 다른 일부는 인종, 성별, 성, 국가 정체성과 같은 성숙한 주제를 탐구합니다. "슈퍼맨은 진정한 알파 남성을 나타냅니다. 온화한 사람으로 가장 한 현대의 신입니다.이 병치는 항상 저를 매료 시켰습니다. 내가 본 모든 사람들이 변장을 사용하여 자신의 진정한 감정, 강점 및 약점 을 숨기기 위해 길을 걷고 있습니까? 우리가 겁 먹고있는 정면에서 벗어나는 신의 힘이 있었으면 좋겠습니까? 아마도 가장 큰 힘을 보여주는 것은 판단 과 박해에 대한 두려움에서 벗어나 우리 자신의 삶을 살 수있는 능력 일 것입니다. 그림자에서 벗어나 우리 모두가 할 수있는 영웅이되도록 영감을 줄 수 있습니다. " 리치 시몬스

12 Queen Square Brighton, UK +44(0)7540660353 info@richsimmonsart.com First Name Last Name Email Message Send Thanks for submitting! RICH CREATE SCENE CASTLE FINE ART SHOWS STREET ART PUBLIC SPEAKING MEDIA BLOG YOUTUBE INSTAGRAM ART IS THE CURE NFT

I’m an artist, creative entrepreneur, and founder who speaks openly and honestly about what it really takes to build a career in the creative industries and use creativity to help with mental health. From schools and colleges to companies, conferences, and global events, my talks are designed to inspire, challenge, and empower people to think differently — about creativity, mental health, and their own potential.  Art didn’t just change my life — it saved it. And now I use creativity to help others unlock confidence, resilience, and possibility in their own lives. Public speaking with Rich Simmons brings the same candour and creative intensity that defines his artwork into a live setting. A self-taught artist who built his career independently — navigating galleries, street culture and entrepreneurship without traditional gatekeepers — Simmons speaks with lived experience rather than theory. His talks explore creativity as discipline, resilience as craft, and art as a tool for identity, mental health and cultural commentary. Drawing from the journey behind Pop Punk Art and the evolution of Art Is The Cure, his sessions move between personal story and practical insight. From schools and universities to corporate teams and creative conferences, audiences gain an honest perspective on building a career from the ground up, protecting originality in a crowded visual world, and using creativity as a form of clarity rather than noise. Whether delivering a keynote, hosting a Q&A, or combining a talk with a live demonstration or workshop, Simmons approaches public speaking as an extension of his practice: thoughtful, direct and grounded in experience. The intention is not performance for its own sake, but conversation — leaving audiences with sharper perspective, renewed confidence and a deeper understanding of what it means to create with purpose. LIFE AS AN ARTIST ART IS THE CURE - MENTAL HEALTH CREATESCENE - CREATIVE ENTREPENEURSHIP WHAT IT TAKES TO BECOME A CREATIVE THINKING OUTSIDE THE BOX EXPERIENCE & CREDENTIALS AWARDS A real-world look at what a career in art actually involves — beyond the highlights. Breaking into the art world Finding your voice and style Rejection, resilience, and self-belief Turning creativity into a sustainable career An honest, motivating session for those considering creative careers. Skills that matter beyond talent Work ethic, mindset, and persistence Building opportunities, not waiting for permission Navigating uncertainty and self-doubt A powerful and personal talk about creativity as a tool for healing and self-expression. Art as therapy and emotional release Creativity, identity, and mental wellbeing Building confidence through making Creating safe spaces for expression From artist to tech founder — lessons from building a creative startup. Why creatives need community Turning ideas into platforms Bridging creativity and technology Thinking like a founder as a creative Ideal for companies and teams looking to unlock innovation. Thinking outside the box (and why it matters) Creativity in problem-solving Confidence, risk, and originality Applying an artist’s mindset to business Spoken at 30+ schools and colleges worldwide Former ambassador and speaker for The Prince’s Trust Delivered talks and workshops for charities, cultural institutions, and major events Ran creativity and mental health workshops for hospitality and corporate teams Panel speaker on art, creativity, and NFTs Founder of CreateScene , a creative technology platform Founder of Art Is The Cure , a creative therapy organisation 2023 Prestige Awards - Contemporary Artist Of The Year - Winner 2022 Prestige Awards - Contemporary Artist Of The Year - Winner 2022 NFT NYC Best Artist - Finalist 2022 NFT NYC Best Emerging Artist - Finalist 2020 Autfest Texas Autism Film Festival - Short Documentary - Winner 2020 Impact Docs Awards - Short Documentary - Winner 2020 Malaysia Mental Health Film Festival - Short Documentary - Finalist 2020 Malaysia Mental Health Film Festival - Short Documentary - Finalist 2020 NYC Mental Health Film FestivalL - Official Selection 2020 Lift Off Film Festival - London, LA, Toronto - Official Selection 2019 Croydon Business Excellence Awards - Commended 2013 HP Smart Business Awards - Social Media - Highly Commended 2009 Vinspired Most Inspirational Young Volunteer - Winner 2009 Princes Trust Young Ambassador Of The Year - Finalist INQUIRE ABOUT BOOKING RICH TO SPEAK AT YOUR EVENT RICH CREATE SCENE CASTLE FINE ART SHOWS STREET ART PUBLIC SPEAKING MEDIA BLOG YOUTUBE INSTAGRAM ART IS THE CURE NFT

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world.

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world.

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. LEARN MORE SKULLERFLIES NFT MINT SKULLERFLIES OPENSEA REFLECTIONS NFT REFLECTIONS NOIR NFT HEADCRASH HOTEL 해당 언어로 게시된 게시물이 없습니다. 게시물이 게시되면 여기에 표시됩니다. RICH CREATE SCENE CASTLE FINE ART SHOWS STREET ART PUBLIC SPEAKING MEDIA BLOG YOUTUBE INSTAGRAM ART IS THE CURE NFT

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. 그냥 당신이 TIFUL-솔로 쇼 모던-런던 모방 2012 년 10 월 11 일 "예술은 내 생명을 구했습니다. 저는 예술에 정말 빚을졌습니다." 시몬스가 말해야 할 놀라운 성명서이지만 그가 인생을 통해 만든 여정을 통해 그 방법을 알 수 있습니다. 그는 자신의 삶을 예술에 바 쳤을뿐만 아니라, 어릴 때부터 도피 해 왔을뿐만 아니라 거리 예술을 사용하여 학교 및 청소년 단체와 참여하고 모든 배경의 사람들을 하나로 모으는 커뮤니티 인 'Art Is The Cure'도 설립했습니다. 'Just Be You Tiful'은 자신이 됨으로써 아름다움을 탐구하는 작품입니다. 화려 함을 통한 아름다움, 페티쉬를 통한 아름다움, 문신의 아름다움, 그리고 무엇보다도 정직함. Simmons는 자신의 그래피티 배경과 스타일을 사용하여이를 정직하게 해석하고 다른 사람들이 아름다움을 인식하는 방식을 연구합니다. 'Art Is The Cure'는 리치가 예술 커뮤니티에 환원하는 방법입니다. 약간의 자폐증이있는 그의 예술은 그에게 긍정적 인 삶의 길을 보여줬고 그는 그것을 세상과 공유하고 싶어합니다. 그는 사람들이 자신의 방식으로 창의력을 사용할 수 있도록 허용하고 예술 치료를 사용하는 새로운 방법을 찾고 있습니다. “안타깝게도 너무 많은 사람들이 자해, 마약, 심지어 자살과 같은 부정적인 방출에 의지합니다. 예술은 시스템에서 모든 감정을 긍정적 인 방식으로 끌어낼 수있는 대체 릴리스입니다. 그림, 글, 음악, 그림 등 상상력을 포함하고 긍정적 인 방식으로 감정을 끌어 내면 창의적인 치료의 한 형태입니다. 그것은 단지 그 에너지를 다른 것에 쏟아 붓는 것이고, 그 끝에는 기분이 나아지고 팔에 상처를 입거나 병원에가는 대신에 그림이나시 또는 노래를 반성 할 수 있습니다.” Simmons는 가장 접근하기 쉬운 형태의 예술을 사용하여 메시지를 전파합니다. 낙서. 그는 만화책에서 자신의 스타일과 기술을 배웠고, 팝 아트를 복사하고, 스텐실을 사용하여 스프레이 캔의 다용도 성에서 번성했습니다. 그는 경계를 넓히는 것의 중요성을 깨닫고 거리 예술 운동에서 실험의 중요성을 인식합니다. “스튜디오의 캔버스 작업과는 다른 종류의 릴리스이고 그 뒤에 다른 종류의 프로세스와 사고 패턴이 있기 때문에 저는 거리에서 작업하는 것을 좋아합니다. 때로는 새로운 것을 유지하고 예술가로서 실험하고 성장하기 위해 도전이 필요합니다.” Simmons는 아제르바이잔의 공주가 구매 한 작품 전체를 보여주는 것으로 유명합니다. 그는 초현실적 인 경험 인 바쿠의 거리를 그려주기 위해 그곳에 초대 된 최초의 거리 예술가였습니다. “그런 일을 본 적이없는 사람들이 학교에 가서 미술 학생들의 반응을 듣고 거리로 나와 사람들이 어떻게 반응하는지 보는 것은 신나는 일이었습니다. 큰 도전 이었지만 제가 좋아했던 것입니다. 저는 런던으로 돌아와 영감을 받아 제 자신의 예술을 발전시키고 앞으로 나아갈 수 있다는 것에 흥분했습니다. 저는 그렇게 한 것 같습니다.” 'Just Be You Tiful'은 Simmons 작업의 진화이며 Imitate Modern 전시회에서 거리 예술과 그래피티, 인쇄, 스텐실 및 실험의 아름다움을 열어줍니다.

Rich Simmons is a Pop Punk Artist based in Brighton specialising in stencils, paintings and street art. SUBSCRIBE ON YOUTUBE REFLECTIONS PRINT NEW YORK TIMES PRINT FRAMED SET OF TWO TALK TO AN ART CONSULTANT BETWEEN THE CAPES DESCRIPTION DETAILS DELIVERY As the UK's leading art retailer, Castle Fine Art has been uniting collectors with artworks by exciting modern artists since 1995. Learning more about the art we sell couldn’t be easier. Castle Fine Art's skilled and knowledgeable art consultants are on hand to offer you tailored advice to suit your unique taste and style. Whether you’re an avid collector or looking to make your first purchase, Castle Fine Art's expert consultants can offer you hand-picked recommendations and also give you sneak peeks of upcoming releases! Our limited edition and original artwork is hand-signed and framed in the UK. Get in touch with Castle Fine Art's below if you’d like to discuss your requirements. SPEAK TO A CASTLE FINE ART CONSULTANT This artwork is a hand-signed silkscreen limited edition on Somerset Satin 410gsm paper by Rich Simmons and it can be purchased in a set of two Edition of 95 per print 24in x 24in | 60.96cm x 60.96cm Print Size 28in x 28in | 71.12cm x 71.12cm Framed Size Fine Art Print, Mixed Media, and Silkscreen Free UK delivery Painting Batman and Superman in this embrace is my way of supporting equality and trying to shift people's conceptions and judgements they have held. By using iconic superheroes, I hope people question their actions as heroes and see that this aspect of their identity far outweighs who they choose to love and how they wish to identify. Christopher Reeve, who famously portrayed Superman, once said, "What makes Superman a hero is not that he has power, but that he has the wisdom and the maturity to use the power wisely." READ THE FULL BLOG POST Hand-signed Silkscreen Limited edition artwork by Rich Simmons. Inspired by his love of 1950s comic books, Rich Simmons combines classic pop art and modern street art to create artwork which provokes thought and challenges expectations. In ‘Reflections (Between the Capes)’, the artist frames his well-known image of Batman kissing Superman as a reflection in the woman’s glasses. He builds a narrative using the composition of the piece, showing us the scene from her perspective. Working with bold, primary shades of red, blue and yellow, Simmons crafts an eye-catching work that draws the eye to each detail. From the woman’s tears to her vibrant red lips, we are encouraged to ponder her emotional response to the sight before her. Simmons names Leonardo da Vinci as one of his biggest influences and employs the Fibonacci spiral in each of his artworks to create perfect balance and harmony in each piece he creates. Combining the bold black lines associated with pop art with the hand-stencilled designs of graffiti, ‘Reflections (Between the Capes)’ introduces street art concepts into the home. For all orders of artwork, we advise delivery of up to four weeks from placing your order. Many of our pieces are handmade to order just for you here in the UK. Books and gift vouchers are delivered within 2-3 working days. Please note that if multiple artworks are purchased within the same order, they may be delivered separately for efficient delivery. We want you to love your artwork, so we offer a 14-day cooling-off period to view it in your home. If you’re not satisfied, we’ll collect it for free or you can return it to one of our galleries. For orders outside of the UK, the same applies - please contact us and we can arrange collection of the artwork. If you have any special requirements or questions about delivery or returns, please contact us . “SIMMONS PAINTS LIKE A PUNK ROCKER AND AS A SELF TUAGHT-ARTIST AND STORYTELLER, THAT OUTSIDE-THE-BOX MENTALITY AND WILLINGNESS TO WRITE HIS OWN RULES IS CLEAR. REBELLIOUS AND CONTROVERSIAL BUT FUN AND HUMOROUS. WHAT THE SEX PISTOLS DID WITH THEIR MUSIC AND LYRICS IS WHAT SIMMONS IS DOING NOW WITH SPRAY PAINT AND CANVAS, REWRITING THE RULE BOOK AND SHAPING A NEW GENRE OF POP PUNK ART. ” PROHBTD maGaZInE READ THE ARTICLE 해당 언어로 게시된 게시물이 없습니다. 게시물이 게시되면 여기에 표시됩니다. RICH SImmOnS DOeSn'T JUST maKE ART — He PROVOKES anD DISRUPTS. Part pop artist, part punk provocateur, Simmons is the rebellious lovechild of Stan Lee and Banksy, with a little Leonardo da Vinci in the DNA just to keep things interesting. His self-coined genre Pop Punk Art is exactly what it sounds like — a riot of colour, chaos, and commentary, born from skateparks, comic books, and the kind of music that makes your parents nervous. Entirely self-taught and self-managed, Simmons never asked for permission — he just built his own world instead. A creative outsider in the best possible way, his work hits like a graphic novel left out in the rain: raw, loud, and dripping with deeper meaning. On the surface, it’s slick, stylized and eye-popping. But scratch beneath the stencils and you’ll find coded messages, cultural critique, and questions about identity, society, and sanity. He’s been called a disruptor. A misfit. A visionary. And yeah — he’s all three. Simmons is on a mission to drag art out of white walls and into real life, where it belongs. This isn’t decoration — it’s confrontation. It’s storytelling with spray paint. It’s pop art with a pulse. Load more FOLLOW ON INSTAGRAM JOIN THE MAILING LIST Email* SUBSCRIBE "SImmOnS IS a CULTURaL DISRUPTOR, REDEFInInG HOw wE EXPERIEnCE COnTEmPORaRY aRT" SKULLERFLIES NFT MINT SKULLERFLIES OPENSEA RICH CREATE SCENE CASTLE FINE ART SHOWS STREET ART PUBLIC SPEAKING MEDIA BLOG YOUTUBE INSTAGRAM ART IS THE CURE NFT

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. POV FINISHING A BRAND NEW PAINTING WATCH AS I FINISH THIS NEW PAINTING WITH INSTA 360 GO CAMERA POV ANGLE REDDIT ART COMMUNITY MELTDOWN DISCUSSING GATEKEEPERS, CREATIVITY AND THE CRISIS OF DIGITAL POWER CASTLE FINE ART BETWEEN THE CAPES IS CREATESCENE THE FUTURE OF SOCIAL NETWORKING? VIDEO WALKTHROUGH OF THE PLATFORM BUILDING A STENCIL DARK ROOM STUDIO HACK VIDEO CONCRETE EFFECT PAINT TUTORIAL HOW TO CREATE CONCRETE EFFECTS WITH JUST PAINT SAVING OLD PAINT STUDIO HACK HYDRO DIPPING MEETS POP ART CREATING A NEW PAINTING WAS DA VINCI THE INSPIRATION FOR BATMAN LEGO BUILD VIDEO GROWING ANARCHY BRAND NEW PAINTING VIDEO THE DEATH OF A PAINTING 💀🖼️ RIP TO THIS ICONIC PIECE THE ART OF WAR AND PEACE CREATING 3 BRAND NEW PAINTINGS CREATING A NEW PAINTING NEW YORK TIMES WONDER WOMAN EDITION CANVAS NEW BUTTERFLY PRINTS OPENING THE NEW PRINTS CREATESCENE STUDIO VLOG 3 DESIGNING MY DREAM STUDIO OFFICE CREATESCENE STUDIO VLOG 2 BUILDING A CUSTOM COFFEE TABLE CREATESCENE STUDIO VLOG 1 - MOVING IN STUDIO TOUR AND MOVING IN TO THE NEW SPACE HEADCRASH HOTEL INTERVIEW THE DEPARTMENT LONDON ARTIST GIVES LARGE ROGERS BUILDING A VIBRANT NEW FACE KNWA FOX NEWS BRIDGING THE GAP BETWEEN STREET ART AND NFTS NFT LONDON PANEL NFT CONVERSATION WITH THE OFFICE GROUP RICH SPEAKS WITH HAMISH JENKINSON, FOUNDER OF THE DEPARTMENT AGENCY ABOUT NFTS NFT SUCCESS STORY HARCO VISUALS THE MEANING BEHIND REFLECTIONS NFT RICH SPEAKS ABOUT THE NFT PROJECT THE STORY OF REFLECTIONS REFLECTIONS NFT ART IS THE CURE THE RICH SIMMONS STORY

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. Rich Simmons는 전 세계에서 전시 한 현대 도시 팝 아티스트입니다. Simmons work는 팝 아트, 만화책, 르네상스, 현대 패션, 섹슈얼리티 등을 아우르는 시각 문화의 교차점을 탐구합니다. 런던에 본사를 둔 Rich Simmons는 런던, 뉴욕, LA, 탬파, 마이애미, 토론토 및 제네바에있는 세계에서 가장 유명한 갤러리 중 일부에서 전시 한 바 있으며 전 세계적으로 명성을 얻고 있습니다. Simmons의 작품은 현재 2019 년 Crystal Bridges Museum of American Art에서 데뷔 한 Men Of Steel, Women Of Wonder 전시회를 통해 박물관 컬렉션에 포함되었습니다. 작년에 그의 작품 중 하나가 Christie의 자선 경매에서 £ 52,000에 판매되는 것을 보았습니다. Simmons의 대담한 색상 사용, 복잡하게 세밀한 손으로 자른 스텐실, 유머 감각 및 생각을 자극하는 이야기는 Rich가 혁신가이자 수집 가능성이 높은 예술가임을 증명합니다. Simmons의 작품은 갤러리를 초월하며 그의 거리 예술 벽화는 Rogers Arkansas에서 완성되는 최신 3,400 평방 피트 벽화로 전 세계에서 볼 수 있습니다. Simmons는 또한 예술 치료를 홍보하는 Vinspired 수상 경력에 빛나는 조직인 Art Is The Cure의 창시자이자 창립자이며 전 세계에서 워크숍과 강연을 진행했습니다. Inspired by icons like Leonardo da Vinci and Stan Lee, Simmons approaches his art as both an inventor and a storyteller. His pieces often explore themes of identity, duality, and society’s contradictions, offering a layered narrative beneath each bold surface. Beyond the canvas, Simmons is also the founder of Art Is The Cure, a mental health movement he launched in 2008. Driven by his own experiences, he uses his platform to champion the transformative power of creativity, inspiring thousands to turn pain into purpose through art. Described as a visionary, a cultural disruptor, and a dynamic communicator, Rich Simmons bridges generations with his work — resonating with collectors, communities, and anyone who believes art can be a catalyst for change. My work uses familiar imagery, humour, and irony to explore the contradictions of modern life — love and loneliness, belief and doubt, hope and hypocrisy. Drawing on pop culture, street iconography, and storytelling, I create pieces that are immediately accessible but reveal deeper emotional and moral questions the longer they are considered. Rather than offering answers, the work observes human behaviour with empathy and quiet scepticism, inviting the viewer to reflect on the systems, symbols, and narratives we accept without question. At its core, my art is about making complex emotional truths feel simple, human, and honest. “그의 스타일과 미학은 정말 인상적입니다. 스텐실과 거리 너머 스텐실 거리 예술. 이 친구 조심해…” 마크 홉 퍼스, 블링크 -182 “예술 자체는 성공적인 융합으로 잘 설명 될 수 있습니다. 실제와 허구의 친숙한 인물에 대한 그의 표현을 통해 Simmons는 때로는 단 하나의 프레임에서 내러티브를 구성 할 수 있습니다. Rich Simmons가 생산하는 것은 거리에서 모든 줄무늬의 갤러리 애호가에 이르기까지 분명히 예술입니다. Simmons는 열정, 헌신 및 다양한 영향이 매력적인 이문화 예술을 만들 수 있음을 증명하고 있습니다.” Decompoz 매거진 “Rich Simmons는 영국에서 떠오르는 거리 예술가들의 새로운 물결의 일부입니다. 독학 예술가로서 그는 복잡하고 세부적인 스텐실 스타일을 사용하여 그의 불경 한 유머 감각을 전달합니다.” 1884 잡지 "Simmons는 펑크 락커처럼 페인트합니다." PROHBTD 매거진 "회귀 이미지에 현대적인 사고 방식을 구현함으로써 Rich Simmons는 당신을 붉게 만드는 예술을 만듭니다." INKED 매거진 “예술 전문가들은 Rich Simmons의 발전을 면밀히 따르고 있습니다. 그의 작품을 지금 구입하는 것이 큰 투자가 될 가능성이 큽니다.” Jean-David Malat, 전 런던 오페라 갤러리 디렉터 2015 CASS Contemporary Art, Tampa – Group Show – Corrosively Bright 2015 Artveras Gallery, Geneva – Group Show 2014 Soho Contemporary Art, New York – Solo Show – Studio 259 2014 Soho Contemporary Art, New York – Solo Show – London Calling 2014 Imitate Modern, London – Solo Show – Kryptonite 2013 Imitate Modern, London – Solo Show – The Inner Outsider 2013 Baku, London – Solo Show – Pop up Showcase 2012 Imitate Modern, London – Solo Show – Just be You Tiful 2012 Imitate Modern, London – Group Show – Proud to be British 2012 Baku Museum of Modern Art, Azerbaijan – Group Show 2012 Opera Gallery, London – Group Show 2011 Opera Gallery Pop Up Show, London – Solo Show 2011 Opera Gallery, London – The Street Art Show 2011 Opera Gallery, London – Group Show 2010 Gallery Rouge, St Albans – Solo Show 2018 Christies, London – Charity Art Auction (achieved an auction valuation of £52,000) 2011 Bonhams, London – Urban Art Show (achieved an auction valuation of £8,000) Rich Simmons is a rare force in contemporary art — a self-made, self-taught outsider whose work crashes through the boundaries of genre with unapologetic style. With a foundation in stencil and street techniques, Simmons has coined a genre all his own: Pop Punk Art. It’s a loud, luminous blend of pop art and punk rock, equally inspired by Blink-182 and Banksy, with the slick visual impact of comic books and the raw emotional undercurrent of subculture. What sets Simmons apart isn’t just his aesthetic — it’s his philosophy. A storyteller at heart, he carries the narrative DNA of Stan Lee and the visionary curiosity of Leonardo da Vinci. His works are more than striking visuals; they’re layered, conceptual pieces that invite deeper inspection. Beneath the punchy colours and bold compositions lie social commentary, existential curiosity, and cultural critique. Like da Vinci — once described as a “blithe societal misfit” — Simmons operates on the fringes, thriving as an innovative disruptor in a traditionally gatekept industry. He forges his own path, refusing convention and building a career that reflects the ethos of punk itself: DIY, defiant, and deeply personal. His art isn’t just something to look at — it’s something to feel, think about, and talk about. 2023 Prestige Awards - Contemporary Artist Of The Year - Winner 2022 Prestige Awards - Contemporary Artist Of The Year - Winner 2022 NFT NYC Best Artist - Finalist 2022 NFT NYC Best Emerging Artist - Finalist 2020 Autfest Texas Autism Film Festival - Short Documentary - Winner 2020 Impact Docs Awards - Short Documentary - Winner 2020 Malaysia Mental Health Film Festival - Short Documentary - Finalist 2020 Malaysia Mental Health Film Festival - Short Documentary - Finalist 2020 NYC Mental Health Film FestivalL - Official Selection 2020 Lift Off Film Festival - London, LA, Toronto - Official Selection 2019 Croydon Business Excellence Awards - Commended 2013 HP Smart Business Awards - Social Media - Highly Commended 2009 Vinspired Most Inspirational Young Volunteer - Winner 2009 Princes Trust Young Ambassador Of The Year - Finalist “His style and aesthetic are truly impressive. Stencil street art beyond the stencil and the street. Watch out for this dude…” Mark HOPPus, Blink-182 “The art itself could very well be described as a successful fusion. His representations of familiar figures, both real and fictional, allow Simmons to construct narratives, sometimes in only a single frame. What Rich Simmons produces is definitely art, from the street to the gallery enthusiasts of all stripes respond to his work. Simmons is proving that passion, dedication and a wide variety of influences can create engaging cross-cultural art.” DecOmPOz Magazine “Rich Simmons is part of a new wave of street artists emerging from the UK. As a self-taught artist, he uses an intricately detailed stencil style to convey his irreverent sense of humour.” 1884 Magazine "By implementing modern mentality to throwback imagery, Rich Simmons makes art that will make you blush." INKED Magazine “Simmons bold and beautiful work certainly stands out from the street art crowd despite employing many of its conventions. Somehow, in his hands, the use of montage and slogans feels fresh and new.” HuffingtOn POst “Art Professionals are following Rich Simmons progress closely. It is a strong possibility that buying his work now could turn out to be a great investment.” Jean-David Malat, JD Malat Gallery RICH CREATE SCENE CASTLE FINE ART SHOWS STREET ART PUBLIC SPEAKING MEDIA BLOG YOUTUBE INSTAGRAM ART IS THE CURE NFT

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. KRYPTONITE-솔로 쇼 모던-런던 모방 2014 년 6 월 11 일 ~ 7 월 12 일 이번 여름에는 Rich Simmons가 그의 세 번째 개인전 'KRYPTONITE'를 위해 Imitate Modern로 돌아 왔습니다. 'The Inner Outsider'와 'Just Be You Tiful'의 성공에 이어, 우리는이 슈퍼 히어로 테마 컬렉션을 공개하고 시몬스의 시그니처 스타일을 선보이는 동시에 고광택 수지 사용 및 예술 작품 제작과 같은 혁신적인 기술을 선보입니다. 캔버스에서 뛰어 내리는 3D 안경을 통해 볼 수 있습니다. '크립토 나이트'는 우리가 전에 그들을 본 적이으로 스파이더 맨, 배트맨과 슈퍼맨에 원더에서 우리가 제일 좋아하는 만화 캐릭터를 갖추고 있습니다. 플레이 보이 표지 의 원더 우먼이든 배트맨과의 열정적 인 포옹이든, 우리는 오늘날 만화와 세계에서 '슈퍼 히어로'에 대한 우리의 인식에 도전하는 전시회에서이 강력한 캐릭터에 대한 완전히 새로운 관점을 제공합니다. 이 컬렉션을 위해 Simmons는 일련의 독특한 캔버스 아트 워크를 제작했으며, 일련의 한정판 프린트와 포스터 프린트가 칭찬 해 슈퍼 히어로 팬과 예술 애호가 모두에게 완벽한 제품입니다.

Rich is available for in-person interviews, studio visits (Brighton, UK), virtual interviews, panel discussions and podcast recordings. Travel for media opportunities can be arranged upon request. DOWNLOAD PRESS RELEASE PDF DOWNLOAD PRESS PHOTOS EMAIL RICH 12 Queen Square Brighton, UK +44(0)7540660353 info@richsimmonsart.com First Name Last Name Email Message Send Thanks for submitting! RICH CREATE SCENE CASTLE FINE ART SHOWS STREET ART PUBLIC SPEAKING MEDIA BLOG YOUTUBE INSTAGRAM ART IS THE CURE NFT

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. 스트리트 아트 쇼-그룹 쇼 오페라 갤러리-런던 2011 년 6 월 17 일-6 월 30 일 Opera Gallery London은 Jean-David Malat가 큐레이팅하고 다음과 같은 기능을 갖춘 거리 예술 그룹 쇼를 선보입니다. KEITH HARING – 장 미셸 바스키아 – BANKSY – BLEK LE RAT – SEEN – RON ENGLISH – LOGAN HICKS – 충돌 – 런던 경찰 – NICK WALKER – HOW & NOSM – SABER – b. – D * FACE – SWOON – KID ZOOM – ALEXONE – ANTHONY LISTER – ALEXANDROS VASMOULAKIS – RICH SIMMONS – MR. JAGO – 달콤한 TOOF 배경 : 거리 예술의 간략한 역사 1970 년대 초, 뉴욕의 가장 깊고 어두운 구석에서 독특한 형태의 예술이 나타 났는데, 이는 수백만 명의 지나가는 사람들에게 호소력이 있었고 강력하고 강력한 메시지가 전달되고 주류 아이디어를 거부 한 사람들의 목소리를 대변하며 '시스템'의 진실성을 의심 한 사람. 낙서 예술가들의 작품은 거의 모든 국가의 도시 지역의 벽돌 벽, 콘크리트 건물 및 보도에 하룻밤 사이에 다양한 비문이 등장하면서 전 세계를 휩쓸 었습니다. 스프레이 페인트 서명에서 이러한 표현의 자유는 시간이 지남에 따라 일반적으로 주변 공간을 반영하거나 통합하는 정교한 그림으로 진화했습니다. 그리하여 세계는 새로운 형태의 예술, 즉 거리 예술을 활용했습니다. 가장 확고한 사람들과 젊은 사람들을한데 모을 수있어 영광입니다. 그리고 유럽과 미국의 유망한 거리 예술가.

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. NFT NYC BEST ARTIST FINALIST NFT NYC BEST EMERGING ARTIST FINA LIST NFT NYC SPEAKER NFT LDN SPEAKER The REFLECTIONS NFT collection is based on a painting that has transcended being a painting on gallery wall and has been turned into street art, silk screen prints and now reimagined with a range of new elements for its debut NFT release. Different artworks now appear in the glasses, with different colours of hair, skin, nails, lips and lenses creating thousands of unique, collectable variations. Edition size of 3,333 sold out within an hour of mint at 0.1 Eth and less than 1% are now available on Opensea. Since its launch, the collection has generated over 350 Eth of secondary market sales. SKIN TONES 3 skin tones create the base layer of the artwork and are distributed evenly across the collection. LIPS 7 lip colours feature in the collection, from more common classic lipstick shades to rarer shiny options. NAILS 6 shades of nail polish are used in the collection, from classic red and lollipop colours used in paintings to rare shiny variants that compliment the lips. HAIR 10 different hair colours appear in the collection, from classic colours featured in paintings to new shades and shiny variants to make the NFT unique from physcial art. LENSES 7 colour variants make up the lenses, each making the artwork that reflects in the glasses pop in a different way with each colour variation. REFLECTIONS 13 paintings from some of the worlds greatest artists (and one by me) make up the reflections in the lenses. There are also rare signatures in the nails in a small % of the NFTs.

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. 부식성 밝은-그룹 쇼 CASS CONTEMPORARY-탐파 2015 년 9 월 18 일 ~ 11 월 6 일 Amandine Urruty | 안드레아 완 | Bask | 벤 프로스트 | 프랭크 포르테 | 크리스 부 젤리 | 거부 | 그렉 마이크 | 인디 184 | 리치 시몬스 | 상어 투프 | Yoskay

PRIVACY POLICY / TERMS AND CONDITIONS Rich Simmons Art Ltd is trying to grow a community of people who support the artwork and when you join this platform, purchase and communicate with us, we want that to be a positive experience. We collect personal information when you voluntarily submit it to us. For example, you may provide us with personal information (such as name, address, email address, telephone numbers, date of birth and/or credit/debit card information). If a supporter, or a website visitor, contacts us by email, they may provide us with their email address and name. If a supporter visits our online store and purchases Rich Simmons Art Ltd products, they will be required to also provide personal information required to process their order (such as name, address, email address, telephone numbers, date of birth and/or credit/debit card information). Providing data is required in these contexts in order for us to process your online store orders, requests, or respond to inquiries. Personal information shared with our team may also be logged in a secure database in an effort to further serve you as a supporter or person in need of resources. We collect and use personal information to ensure that we can manage the relationships with you as things grow, offering you news, deals, coupons and more. Our website may contain links to other Web sites. Please note that when you click on one of these links, you are entering another site that is governed by that site’s privacy policy. LEGAL Rich Simmons Art Ltd does not hold responsibility for the act of criminal damage in the name of this business. Rich Simmons Art Ltd may provide inspiration to create stencils and street art but we only encourage you to paint in a safe, legal way. There are legal areas all over the world to create street art and graffiti and we encourage you to find your local legal graffiti areas that are supported by local councils and businesses. RETURNS AND SHIPPING POLICIES Rich Simmons Art Ltd is committed to providing you with the best experience possible when buying art. Orders will be shipped within 1-2 working weeks and will be packaged with care and with the security of your art as our highest priority. We ship worldwide and shipping prices will be calculated in the store based on location and size of the order. Coupons are often sent out to mailing list subscribers for free shipping codes and discounts and it is up to the customer to be in the loop with communications to receive deals and rewards. You can also arrange for pickup collection of artwork from our Croydon based studio. You can contact us after ordering to arrange a time and date that works for you to come and collect the work and get the chance to see the studio space. Due to Covid restrictions, it is upon the discretion of the team to check if you are masked / vaccinated in order to see inside the studio but front door collection is an option for everyone. We accept that on rare occasions, out of our control, shipments get damaged. All artwork is checked by the packing team before it is dispatched. We offer replacement pieces or refunds, if you can provide evidence that the package was damaged on delivery and provide photographic evidence of the packaging and artwork so we can deal with the couriers and provide you with a replacement or a refund. If for any reason any damage is missed or caused in transit, the customer can be entitled to one of the following according to the individual case: The piece to be returned for a touch up, an alternative piece of artwork as a replacement, or keeping the piece at a discount. If a piece of artwork is requested to returned due to a change of mind then you must contact us within 72 hours of purchasing to receive a refund. You must contact us with honest reasons and proof that the piece is in sellable condition still and upon receiving the artwork back, it will be inspected to ensure the piece is returned as it was dispatched. If the art work is received and approved under the inspection, a full refund will be issued. It is at the management discretion to decide if the request of a return is approved. Return requests must be made within 4 weeks after receiving your piece. If the art work is received and not approved under the inspection, the refund will be disputed to that individual case. A points system is also in place on the website using Smile. If you would like to earn points and discounts for future purchases, please sign up to Smile in the rewards tab at the bottom left of the page. You can then use these points to get discounts on future purchases. Any information provided with Smile is under their platforms legal terms and policies. Tracking details on print and painting orders will be emailed through the selected courier we use to send your package. You can then check for shipping info and tracking through the couriers platform. We promise to do everything we can to create an enjoyable art buying experience and look forward to welcoming you as a collector of a Rich Simmons Art original. BUYING / COMMISSIONING AN ORIGINAL Commissioning or buying an original piece of artwork should be an exciting experience and we want to do everything we can to help you with your purchase. If a piece of work isn't listed on the website's shop and you want information, please email us with details or pictures and we will give you information about that work and whether its in a gallery or in our studio. If you wanted to have a new bespoke piece created for you, please also email us with your ideas. If it is a new colour version of an existing piece you've seen, this can be done in 4-6 weeks. If it is a brand new concept, it is up to the discretion of the artist to decide if it's possible based on the concept of the idea and the time frame involved. +44(0)7540660353 richsimmonsart@gmail.com

JOIN CREATESCENE CreaTeScene - THe Punk ROck SOcial netwOrk fOr a new Creative GeneratiOn Built by an artist, nOt an algOritHm. When Rich Simmons picks up a spray can, he doesn’t just paint — he ignites movements. From the alleyways of street art to gallery walls and global stages, Simmons has carved out a space for colour, chaos, and cultural commentary. He’s a pop punk storyteller with a mission: to use creativity as a stage, a voice, and a cure. Now, he’s taken that mission digital. Enter CreateScene — a radical new social platform built for artists, dreamers, DIYers and culture-shifters. This isn’t just another app. It’s a rebellion against the algorithm. A digital underground. A home for people who create not for likes, but for legacy. Born out of the same mindset that launched Art Is The Cure in 2008 — long before mental health and creativity were trending hashtags — CreateScene is Rich Simmons’ latest performance piece. Only this time, the canvas is global. And it's interactive. Where other platforms prioritise popularity, CreateScene prioritises connection. It was built to help people find their creative tribe, to collaborate across disciplines, to be seen not just as content creators, but as cultural architects. Visual artists, musicians, writers, performers, designers — all under one digital roof, building something bigger than themselves. “I wanted to build the kind of platform I wish existed when I was starting out,” Simmons says. “Something that wasn’t about followers and filters — something that actually brought people together through creativity.” There’s a touch of Da Vinci in the DNA — the blend of art and innovation, the vision to use technology as a tool for human evolution. And there’s definitely the spirit of punk rock — the rawness, the realness, the unapologetic rejection of the status quo. CreateScene isn’t just a platform. It’s a movement. A spark. The beginning of a new Renaissance. One that values imagination over influence, collaboration over competition, and celebrates creativity as the most powerful tool we have to shape culture — and change the world. CreateScene isn’t here to play it safe. It’s here to redefine what a creative community looks like in a digital age. To put power back in the hands of the artists. To build a new kind of social network — one where art doesn’t just get posted. It gets felt. So if you’ve ever felt like you didn’t quite fit on the platforms built by Silicon Valley — that’s because they weren’t built for you. CreateScene was. jOin createscene fOr free nOw RICH CREATE SCENE CASTLE FINE ART SHOWS STREET ART PUBLIC SPEAKING MEDIA BLOG YOUTUBE INSTAGRAM ART IS THE CURE NFT

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. 팝 록스-그룹 쇼 모던-런던 모방 2018 년 5 월 18 일 ~ 6 월 14 일 Imitate Modern은 처음으로 런던에서 가장 악명 높은 비주얼 아이코노 클 두 명인 Henry Hate와 Rich Simmons를 모았습니다. 두 예술가 모두 전통적인 갤러리 공간 밖에서 만든 작품으로 악명을 얻었습니다. Hate는 Amy Winehouse (아이코닉 한 핀업 소녀 문신 포함), Alexander McQueen 및 기타 많은 고객이 포함 된 유명한 문신 아티스트입니다. Simmons는 Kate Middleton과 Prince William을 Sid와 Nancy로 묘사 한 Future *** King과 Batman Kissing Superman과 같은 런던과 뉴욕의 기념비적 인 거리 벽화로 가장 유명합니다. 5 월 18 일에 개장하는 Pop Rocks는 두 아티스트의 새롭고 특별 의뢰 된 작품을한데 모았습니다. Rich Simmons 정보 런던에서 태어나 자란 수상 경력에 빛나는 독학 예술가 인 Rich Simmons는 2011 년 거리 예술 작품 'Future *** King'으로 영국 미술계의 주목을 받았습니다. 윌리엄 왕자와 케임브리지 공작 부인을 섹스 피스톨즈의 시드와 낸시로 묘사했습니다. 이는 군주제의 새롭고 젊은 부흥을 시각적으로 암시하고 왕실 결혼식 직전에 진전되었습니다. 그 이후로 그는 유명인 팬 층을 축적했습니다. 2011 년 작품의 높은 성공과 글로벌 진출에 이어 Simmons는 Imitate Modern 갤러리와 해외에서 여러 쇼에 전시를 계속했습니다. 그는 Bonhams Street Artauction과 가장 최근에 Christie의 자선 경매에서 성공적으로 판매되었습니다. Simon de Pury는 Rich의 그림 중 하나를 52,000 파운드에 경매하고 모든 수익금은 Gracious Hearts UK로 전달했습니다. 우리 예술가 중 한 명이 특별한 도움이 필요한 아이들을 위해 돈을 모으는 중요한 대의에 참여하는 것을 보는 것은 놀랍습니다. 이 경매 결과는 그의 작품에 큰 영향을 미칠 것이며 그의 판매 가격은 크게 상승 할 것으로 예상됩니다! 올해 시청할 사람이라고해도 무방합니다 . 이전 블로그 게시물 에서 Rich Simmons와 그의 예술적 여정에 대해 자세히 알아보십시오 .

Art Is The Cure CreateScene The Prism Reflections NFT Reflections NOIR Headcrash Hotel NFT

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. QUINTESTENCIL THE ART OF RICH SIMMONS APRIL 2023 - LONDON Rich Simmons is leading the next wave of artists pushing a new era of Modern Pop Art. Inspired by pop art and comic artists from the 50s and 60s, Simmons achieves his bold, graphical comic style through detailed stencils and spray paint, techniques heavily rooted in street art. The most intriguing influence in Simmons' paintings is his integration of Renaissance techniques in composition, golden ratio and Fibonacci. Euro News went as far to describe Simmons' work as 'Pop Art inspired by da Vinci' . At just 37 years old, Simmons has already exhibited in 33 galleries and museums across three continents, seven countries and 16 major cities, proving his versatility and global appeal. Simmons' use of colour and commentary is bold and unmistakable. His irreverent sense of humour invites his audience to question taboo topics. Inked magazine described the work as something that will make you blush, and it's easy to see how the combination of superheroes and pin-ups tell stories of romance, lust, mental health and social injustice. Prohbtd magazine described the work by saying, 'Simmons paints like a punk rocker' and as a self-taught artist and storyteller, that outside-the-box mentality and a willingness to write his own rules is clear. Rebellious and controversial but fun and humorous. What the Sex Pistols did with their music and lyrics is what Simmons is doing now with spray paint and canvas, rewriting the rule book and shaping a new genre of Pop Punk Art. "I have always needed to push my limits, whether it's the storytelling, engineering, colours or art style. I want to create work that challenges my abilities, people's conceptions and the limits of what's possible with this art form." "This collection of paintings spans a number of years, styles and stories. It is a collection that is quintessentially me. With every piece, the goal is to create something fresh but still look like my hands made it. Contrasting ideas created with continuity. Diverse but distinctive. An introduction to me as an artist, storyteller and technician. The quintessential stencil experience."

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. READ THE ARTICLE

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. Reflections Noir was a celebration of the success from the original Reflections NFT and a chance to give back to our community. We minted 999 Noir NFTs as free gifts to our community members who held an original Reflections to give more art and utility back as a thank you.

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. 반성-솔로 쇼 팝업 전시회-런던 2016 년 9 월

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world.

MURALS PUBLIC SPEAKING BRANDING WORKSHOPS

CREATESCENE ART IS THE CURE THE PRISM

VIEW ALL STREET ART Rich Simmons는 전 세계에서 전시 한 현대 도시 팝 아티스트입니다. Simmons work는 팝 아트, 만화책, 르네상스, 현대 패션, 섹슈얼리티 등을 아우르는 시각 문화의 교차점을 탐구합니다. 런던에 본사를 둔 Rich Simmons는 런던, 뉴욕, LA, 탬파, 마이애미, 토론토 및 제네바에있는 세계에서 가장 유명한 갤러리 중 일부에서 전시 한 바 있으며 전 세계적으로 명성을 얻고 있습니다. Simmons의 작품은 현재 2019 년 Crystal Bridges Museum of American Art에서 데뷔 한 Men Of Steel, Women Of Wonder 전시회를 통해 박물관 컬렉션에 포함되었습니다. 작년에 그의 작품 중 하나가 Christie의 자선 경매에서 £ 52,000에 판매되는 것을 보았습니다. Simmons의 대담한 색상 사용, 복잡하게 세밀한 손으로 자른 스텐실, 유머 감각 및 생각을 자극하는 이야기는 Rich가 혁신가이자 수집 가능성이 높은 예술가임을 증명합니다. Simmons의 작품은 갤러리를 초월하며 그의 거리 예술 벽화는 Rogers Arkansas에서 완성되는 최신 3,400 평방 피트 벽화로 전 세계에서 볼 수 있습니다. Simmons는 또한 예술 치료를 홍보하는 Vinspired 수상 경력에 빛나는 조직인 Art Is The Cure의 창시자이자 창립자이며 전 세계에서 워크숍과 강연을 진행했습니다. A mural is not treated as decoration, but as narrative architecture. Each wall becomes an extension of his studio practice — layered, intentional and concept-driven. Bold colour, sharp line work and iconic imagery collide with social commentary and cultural undercurrents, creating pieces that feel both immediate and considered. Whether for brands, public spaces, businesses or private residences, a commissioned mural offers the rare opportunity to scale his signature aesthetic into an immersive experience. In a visual culture saturated with repetition, Simmons’ work offers clarity and character. His murals bring presence to a space — not through noise, but through intent. Each commission is developed with the environment and audience in mind, balancing impact with cohesion. The result is work that feels confident, contemporary and unmistakably distinctive — without losing sight of the space it inhabits. OUTDOOR MURALS Large-scale, site-specific murals designed to transform exterior spaces into visual landmarks. Each piece is developed in response to its environment — balancing impact with context. From high-footfall city walls to cultural projects and brand-led activations, these works are built to command attention while standing the test of time. ENQUIRE COMMERCIAL SPACES Art that shapes atmosphere. From offices and studios to hospitality, retail and creative workspaces, these interior installations are designed to strengthen identity and elevate environment. Each project is tailored to the space and audience — bold enough to define a room, considered enough to integrate seamlessly with its function. ENQUIRE PRIVATE RESIDENCE For collectors and homeowners seeking something truly personal, private commissions bring large-scale Pop Punk Art into domestic settings. Whether a feature wall, studio space or bespoke interior statement, each mural is designed with the architecture and client’s vision in mind — creating work that feels both expressive and intentional within the home. ENQUIRE AD CAMPAIGN Visually led collaborations for brands seeking cultural relevance and standout creative. From temporary hoardings and window takeovers to campaign graphics and digital rollouts, these projects extend the Pop Punk Art aesthetic into commercial storytelling. The focus is clarity, memorability and execution — ensuring the visual impact supports strategic objectives. ENQUIRE

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. 제품보기 FREE SHIPPING BANKSY REFLECTIONS GOLD FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING BANKSY REFLECTIONS PINK FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING BANKSY REFLECTIONS RAINBOW FOIL PRINT 30 x 30 CM 가격 £125.00 품절 제품보기 FREE SHIPPING BANKSY REFLECTIONS RED FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING BASQUIAT REFLECTIONS GOLD FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING BASQUIAT REFLECTIONS PINK FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING BASQUIAT REFLECTIONS RAINBOW FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING BASQUIAT REFLECTIONS RED FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING BOTTICELLI REFLECTIONS GOLD FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING BOTTICELLI REFLECTIONS PINK FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING BOTTICELLI REFLECTIONS RAINBOW FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING BOTTICELLI REFLECTIONS RED FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING DA VINCI REFLECTIONS GOLD FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING DA VINCI REFLECTIONS PINK FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING DA VINCI REFLECTIONS RAINBOW FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING DA VINCI REFLECTIONS RED FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING DALI REFLECTIONS GOLD FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING DALI REFLECTIONS PINK FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING DALI REFLECTIONS RAINBOW FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING DALI REFLECTIONS RED FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING HARING REFLECTIONS GOLD FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING HARING REFLECTIONS PINK FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING HARING REFLECTIONS RAINBOW FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING HARING REFLECTIONS RED FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING HIRST REFLECTIONS GOLD FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING HIRST REFLECTIONS PINK FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING HIRST REFLECTIONS RAINBOW FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING HIRST REFLECTIONS RED FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING LICHTENSTEIN REFLECTIONS GOLD FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING LICHTENSTEIN REFLECTIONS PINK FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING LICHTENSTEIN REFLECTIONS RAINBOW FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 제품보기 FREE SHIPPING LICHTENSTEIN REFLECTIONS RED FOIL PRINT 30 x 30 CM 가격 £125.00 카트에 추가 더보기 READ MORE PRESS

Rich Simmons is a Contemporary Urban Pop Artist from London who specialises in stencils and has exhibited all over the world. 제품보기 FINAL 24 HOURS DARKROOM EXPOSURE - GOLD EDITION 가격 £249.00 크기 카트에 추가 제품보기 FINAL 24 HOURS DARKROOM EXPOSURE - MONOCHROME EDITION 가격 £249.00 크기 카트에 추가 제품보기 FINAL 24 HOURS DARKROOM EXPOSURE - RED LIGHT EDITION 가격 £249.00 크기 카트에 추가